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안무방법론 개발을 위한 LMA(Laban Movement Analysis)의 적용성 연구

A Study on Practical Application of LMA for Developmenteographic Methodology

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This study aims to examine how choreographers create dance through using LMA (Laban Movement Analysis) which is one of choreographic methodologies. Choreographers can apply the concept of LMA in order to enrich their imagination. Therefore I tried to study with a certain choreographer who is familiar with LMA through the process of her work. LMA is an experiential and theoretical approach to movement, developed by Rudolf Laban and his pupils. LMA consists of vocabulary, concepts, and principles that describe both the quality and quantity of human movements and can help us recognize the meaning of movements. Many contemporary choreographers, such as Pina Baush, William Forsythe, already use the Laban's theory apply to their work. The motive of this piece 'Purple Rain' is symbolic of purple which is adversity, temper and silence. In this piece, I will try to present yearning- recuperation-calm through three different section. The choreographer wanted to each section has to have a certain mood according to each theme. For this, the choreographer made progress by using LMA. And this process can be so for entire rehearsals. First, I discussed with the choreographer to grasp the point theme and mood of the piece and then I suggested elements of LMA in order to express her thought and emotion effectively. Second, the choreographer creates movements and acts of dancers, and decide to designing of visual and light through using the elements of LMA. Also the choreographer might think about sound and music as well. Through this study, I demonstrated how to create movement using LMA and I found LMA is one of comprehensive system in the field of dance. Therefore both choreographer and dancer can understand the concepts and elements of movement in order to express the theme and mood of their work of dance. In addition, I will present the possibility that dance theory, such as LMA, can be practically applied to choreographies for stage just as they are for dance. I hope many choreographers get new ideas for their work through this study.

Abstract

This study aims to examine how choreographers create dance through using LMA (Laban Movement Analysis) which is one of choreographic methodologies. Choreographers can apply the concept of LMA in order to enrich their imagination. Therefore I tried to study with a certain choreographer who is familiar with LMA through the process of her work. LMA is an experiential and theoretical approach to movement, developed by Rudolf Laban and his pupils. LMA consists of vocabulary, concepts, and principles that describe both the quality and quantity of human movements and can help us recognize the meaning of movements. Many contemporary choreographers, such as Pina Baush, William Forsythe, already use the Laban's theory apply to their work. The motive of this piece 'Purple Rain' is symbolic of purple which is adversity, temper and silence. In this piece, I will try to present yearning- recuperation-calm through three different section. The choreographer wanted to each section has to have a certain mood according to each theme. For this, the choreographer made progress by using LMA. And this process can be so for entire rehearsals. First, I discussed with the choreographer to grasp the point theme and mood of the piece and then I suggested elements of LMA in order to express her thought and emotion effectively. Second, the choreographer creates movements and acts of dancers, and decide to designing of visual and light through using the elements of LMA. Also the choreographer might think about sound and music as well. Through this study, I demonstrated how to create movement using LMA and I found LMA is one of comprehensive system in the field of dance. Therefore both choreographer and dancer can understand the concepts and elements of movement in order to express the theme and mood of their work of dance. In addition, I will present the possibility that dance theory, such as LMA, can be practically applied to choreographies for stage just as they are for dance. I hope many choreographers get new ideas for their work through this study.

참고문헌 (18)

  1. 김재리, "라반의 움직임 분석 이론을 활용한 움직임 창작과정 연구", 한국무용기록학회지, 09(0), pp.25~52 (2005), 한국무용기록학회
  2. 김화숙, "안무의 요소에 관한 연구", 한국무용교육학회, 6, pp.7~26 (1996)
  3. 박영애, "Rudolf Laban의 Effort 요소를 활용한 안무기법 모색", 대한무용학회 논문집, 49(49), pp.161~176 (2006), 대한무용학회
  4. 오진숙, "안무의 과정에 있어서 구성형식에 관한 연구", 청예논총, 9, pp.411~430 (1995)
  5. 이경옥, "안무란 무엇인가:그 기초적 접근" (1992), 현대미학사
  6. 이연수, "실존적 현상학적 관점에서 본 안무의 구성요소", 한국여성체육학회지, 16(1), pp.75~84 (2002), 한국여성체육학회
  7. 장정윤, "무용미학의 제문제에 관한 고찰(2)", 동아논집, 32, pp.79~111 (1995)
  8. 최청자, "안무와 움직임" (1988), 금광
  9. 한국문화예술위원회, "문예연감" (2007)
  10. Making Dance: A Choreological Approach, "Athreya, P.", the 21st Natya Kala Conference, ~ (2001)
  11. Bartenieff, I., "Body Movement: Coping with the Environment" (1980), Gorden and Breach Publishers
  12. Dell, Cecily, "Space Harmony" (1977), Dance Notation Bureau Press
  13. Foster, L. Susan, "Choreographing History" (1995), Indiana University Press
  14. Hudgson, J., "Mastering Movement" (2001), the Life and Work of Rudolf Laban
  15. Judith B. Alter, "무용: 그 실제와 이론" (1997), 예전사
  16. Laban, R., "The Language of Movement: A guidebook to Choreutics" (1966), Plays, INC
  17. 'Laban Legacy: Rudolf Laban and his language for human movement, "Megan Reisel", Kinesphere studio, ~ (2005)
  18. Amanda Miller Workshop, "Perry Dance", 10 (1994)

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