초기 비주류 무용인류학자들의 활동을 통해 본 비판적무용학의 전망: 캐서린 던험, 펄 프리무스, 마야 데런을 중심으로
Critical Reflection on Early Marginalized Dance Anthropologists : Katherine Dunham, Pearl Primus, and Maya Deren
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This study excavates three early dance anthropologists who are hitherto marginalized, and yet recently recast as postmodern pioneers: Katherine Dunham, Pearl Primus, and Maya Deren. They traversed many disciplinary boundaries including dance, anthropology and film, while holding multiple identities including artists, scholars, educators and social activists. Conducting their fieldwork on Afro-Caribbean dance culture, they pursued subjectivity, reflexivity, and active participation to the level unprecedented in its time. Considering that they were excluded from the genealogy of anthropology and dance anthropology due to this relentless career, this study examines their postmodern significance for critical dance studies.
Abstract
This study excavates three early dance anthropologists who are hitherto marginalized, and yet recently recast as postmodern pioneers: Katherine Dunham, Pearl Primus, and Maya Deren. They traversed many disciplinary boundaries including dance, anthropology and film, while holding multiple identities including artists, scholars, educators and social activists. Conducting their fieldwork on Afro-Caribbean dance culture, they pursued subjectivity, reflexivity, and active participation to the level unprecedented in its time. Considering that they were excluded from the genealogy of anthropology and dance anthropology due to this relentless career, this study examines their postmodern significance for critical dance studies.
참고문헌 (48)
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