Anthropological Methodology and Eun-Me Ahn’s Dance Works
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This paper explores how contemporary Korean dancer Eun-Me Ahn understands the idea of ‘anthropology’, how she uses anthropological methodology for her three works - Dancing Grandmothers (2010), Dancing Teen Teen (2011), and Dancing Middle-Aged Men (2012), and how the trilogy can be situated in contemporary Korean society. I argue that Ahn’s works strategically interweaves issues of anthropology, interdisciplinary art, and a trend of Western contemporary dance; and explores bodily memory, movement, and identity of Korean people, thereby expanding a boundary of contemporary dance.
Abstract
This paper explores how contemporary Korean dancer Eun-Me Ahn understands the idea of ‘anthropology’, how she uses anthropological methodology for her three works - Dancing Grandmothers (2010), Dancing Teen Teen (2011), and Dancing Middle-Aged Men (2012), and how the trilogy can be situated in contemporary Korean society. I argue that Ahn’s works strategically interweaves issues of anthropology, interdisciplinary art, and a trend of Western contemporary dance; and explores bodily memory, movement, and identity of Korean people, thereby expanding a boundary of contemporary dance.
참고문헌 (35)
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