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수행적 전환을 통한 퍼포먼스의 감각적 지각 변화

A Study of Sensory perception change of performance through performative turn

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초록

The purpose of this research is aims to present a methodology for understanding perform ance. Perform ance is the 'event' that consists of perform ative. Perform ativity is a fundamental concept that allows corporeal behavior to mediate and constitute 'events'. Perform ativity suggests the possibility for 'viewing' of the phenomenal body and the behavior itself. In the process of the perform ance, the spectator can decide what they will see themselves, and construct the meaning of the performance through continuous relations. These discussions suggest the possibility of understanding 'perform ance' as an 'event' based on their own experience and sensory perception.

Abstract

The purpose of this research is aims to present a methodology for understanding perform ance. Perform ance is the 'event' that consists of perform ative. Perform ativity is a fundamental concept that allows corporeal behavior to mediate and constitute 'events'. Perform ativity suggests the possibility for 'viewing' of the phenomenal body and the behavior itself. In the process of the perform ance, the spectator can decide what they will see themselves, and construct the meaning of the performance through continuous relations. These discussions suggest the possibility of understanding 'perform ance' as an 'event' based on their own experience and sensory perception.

참고문헌 (13)

  1. 김효, "퍼포먼스 연구와 연극", pp.17~36 (2010), 연극과인간
  2. 사이먼 셰퍼드, "드라마, 씨어터, 퍼포먼스" (2004), 연극과 인간
  3. 오스틴, "말과 행위. 오스틴의 언어철학, 의미론, 화용론" (2005), 서광사
  4. Böhme, G., "Atmosphäre" (1995), Suhrkamp
  5. Böhme, G., "Aisthetik. Vorlesungen über Ästhetik als allgemeine Wahrnehmungslehre" (2001), Fink
  6. Butler, J., "Gender Trouble: Feminism and the Subversion of Identity" (1990), Routledge
  7. Fischer–Lichte, E., "Theater im Prozess der Zivilisation", pp.9~21 (2000), Francke
  8. Fischer–Lichte, E., "Verkörperung", pp.11~25 (2001), Francke
  9. Fischer–Lichte, E., "Performativität und Praxis", pp.97~111 (2003), Fink
  10. Fischer–Lichte, E., "Ästhetik des Performativen" (2004), Suhrkamp
  11. Fischer–Lichte, E., "Metzler Lexikon Theatertheorie", pp.85~87 (2005), Metzler
  12. Fischer–Lichte, E., "Wie wir uns aufführen. Performanz als Thema der Kulturwissenschaften", pp.15~25 (2006), Novographic
  13. Krämer, S., "Performativität und Medialität", pp.13~32 (2004), Wilhellm Fink

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