무용에서의 육체와 이미지: 아리스토텔레스의 판타시아(φαντασία) 개념을 중심으로

Abstract

Aristotle's Fantasia is that without a sense, Fantasia does not happen, and without Fantasia, accidents do not happen. The fact that sensory bodies that occur realistically in dance are thought movements as speaking bodies in visible bodies, and play a middle role between senses and thoughts. In dance, the dancer's body is a fantasy that evokes sensations. Thus, in understanding Fantasia in dance, Fantasia is, as Aristotle said, 'making Pantasma happen.' Because Fantasma refers to the physical image of a dancer who should be treated as important in dance. In dance, the dancer's body has the ability to evoke Fantasia as a complete body to be contemplated. Aristotle's Fantasia means the product of ability, activity, and activity. It is like an activity in which a dancer dances as an expression of thought and makes a figure of the body as a product of activity. Aristotle's Fantasia is the soul's ability to make what is different and what is not and can create something before our eyes, just as we make and arrange images in our memories. In dance, dancers arrange movements, create images of them, and create visible dance works in front of our eyes. Here, the body is a fantasy that contains sensory content, and as an intended body it becomes the core content of Fantasia.