아리스토텔레스의 뒤나미스(dynamis)에 근거한 한국무용체험에서의 잠재성 탐색

Abstract

This study is to explore the nature and structure of Korean dance experience in terms of Aristotle's conception of "Dynamis," which was supposed to be the highest principle of our living, movement, and action. A study meaningful aesthetics of immanent inclination of Korea search has been carried out. In addition, the ethnographic approach was used to understand the origin of experience of each constituent in Korean dance experience. Four participants comprised of Korean dance major with important intangible cultural assets were interviewed and analysis of documents was also performed. The study demonstrates subjectivity and potentiality of korea dance in experience. The study also reveals that Korea dance experience goes hand in hand through subjectivity and potentiality in life, and also with a ceremony and dancing through repeated feedback. It was found that Korean dance experience can be explained in terms of Aristotle's concept of dynamis, which harbors Korean cultural asset and is a unique subjective propensity of Koreans. Aesthetic characteristics of Korean dance experience based on Aristotle's concept of dynamis can be achieved through streamlined physical movement with fine-tuning of emotion in the body. Furthermore, aesthetic characteristics of Korean dance experience can also be explained by metaphysics. The most important findings of the study are to demonstrate that ethnographic approach can explain Korea dance experience and in addition, potentially effect of Korea dance experience can be analyzed through cognizance experience concomitant with Korean culture.