춤에서 오브제(Object)의 다면적 활용과 역할 연구: 사샤 발츠(Sasha Waltz)와 윌리엄 포사이드(William Forsythe)의 설치 작품을 중심으로
Multi-faceted Utilization and Roles of an Object in Contemporary Dance : Focusing on Installation Art Pieces of Sasha Waltz and William Forsythe
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초록
This study aims to research major roles of an object in dance by presenting specific examples of strategies showing how an object is utilized in contemporary dance. Nowadays pieces of contemporary dance often show a variety of objects which entered the space of art. In pieces of art, objects are playing so many different roles that they cannot even be described collectively. The concept of an 'object' which means an object to be recognized, by definition, as opposed to a subject is constantly redefined by changes in the structure and meaning of things in different times. In particular, in the exhibition of dance where even a human body, a subject that seemed impossible to be objectified, is naturally experienced as an object, audience can recognize the broad spectrum of an object from 'a subject to an object'. Such wide spectrum makes an object work as a mediator among visual art, play and dance. In the field of dance, an object is presenting various strategies reformulating the concept of a 'body', 'space' and 'time' and broadening the scope of dance.
Abstract
This study aims to research major roles of an object in dance by presenting specific examples of strategies showing how an object is utilized in contemporary dance. Nowadays pieces of contemporary dance often show a variety of objects which entered the space of art. In pieces of art, objects are playing so many different roles that they cannot even be described collectively. The concept of an 'object' which means an object to be recognized, by definition, as opposed to a subject is constantly redefined by changes in the structure and meaning of things in different times. In particular, in the exhibition of dance where even a human body, a subject that seemed impossible to be objectified, is naturally experienced as an object, audience can recognize the broad spectrum of an object from 'a subject to an object'. Such wide spectrum makes an object work as a mediator among visual art, play and dance. In the field of dance, an object is presenting various strategies reformulating the concept of a 'body', 'space' and 'time' and broadening the scope of dance.
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