확장된 안무 개념에 대한 연구 -윌리엄 포사이드(William Forsythe)의 ‘안무적 오브제(Choreographic Objects)’를 중심으로-
A Study on the Expanded Notion of Choreography
0
조회
0
다운로드
5
인용
0
참고문헌
키워드
초록
The purpose of this study is to understand differences in medium, space, and appreciation of art of dance by focusing on the changing notion of choreography and to clarify an implications of the change observable in Forsythe’s ‘choreographic objets’. Early notion of choreography was the meaning of writing and creating a harmonious floor pattern of simple steps by using notation, and then it has changed to the meaning of creating movements suitable for each subjects. However, in contemporary dance, such as ‘choreographic objects’ changed the medium of choreography from a body to an object and erased a boundary between a daily life and a performance stage. Spectators experience and complete the dance using senses of their bodies. Choreography using objects is not a instruction for creating a illusory dance or a dance of profound meaning to be interpreted, but a suggestion for providing a space to experience the essence of dance that feels the world with the whole body.
Abstract
The purpose of this study is to understand differences in medium, space, and appreciation of art of dance by focusing on the changing notion of choreography and to clarify an implications of the change observable in Forsythe’s ‘choreographic objets’. Early notion of choreography was the meaning of writing and creating a harmonious floor pattern of simple steps by using notation, and then it has changed to the meaning of creating movements suitable for each subjects. However, in contemporary dance, such as ‘choreographic objects’ changed the medium of choreography from a body to an object and erased a boundary between a daily life and a performance stage. Spectators experience and complete the dance using senses of their bodies. Choreography using objects is not a instruction for creating a illusory dance or a dance of profound meaning to be interpreted, but a suggestion for providing a space to experience the essence of dance that feels the world with the whole body.
참고문헌 (17)
- 랑시에르, 자크, "해방된 관객" (2008), 현실문화
- 오, 수잔, "발레와 현대무용" (1988), 시공사
- 포스터, 수잔 리, "문화연구, 춤의 새로운 이해" (2009), 성균관대학교 출판부
- 호먼스, 제니퍼, "아폴로의 천사들 : 발레의 역사" (2010), 까치
- Banes, Sally, "Tersichore in Sneakers : Post-Modern Dance" (1987), Wesleyan University Press
- Foster, S. L., "Choreography Empathy : Kinesthesia in Performance" (2011), Routledge
- Forsythe, W., "William Forsythe and The Practics of Choreography" (2011), Routledge
- Humphrey, Doris, "The Art of Making Dances" (1987), Princeton Book Company
- Kim Sue In, "17-18세기 유럽 바로크 댄스와 생물역학이 몸 움직임을 표현하기 위해 사용한 어법(語法)간 상호연관성이 드러내는 사상적 배경에 관한 고찰", 무용예술학연구, 34(34), pp.29~60 (2011), 한국무용예술학회[DOI]
- 이나현, "제롬 벨(Jeˊroˆm Bel)의 무용가 시리즈에 나타나는 서사를 활용한 안무 방식에 대한 연구", 무용예술학연구, 68(1), pp.1~17 (2018), 한국무용예술학회[DOI]
- 이지선, "신체적 사고: 윌리엄 포사이드의 안무 오브제 개념에 관한 고찰", 무용예술학연구, 62(5), pp.1~16 (2016), 한국무용예술학회[DOI]
- 최기섭, "안무의 초기 개념 연구 : 푀이에와 라반의 무용기보법을 중심으로", 무용역사기록학, 55, pp.317~351 (2019), 무용역사기록학회[DOI]
- Forsythe, W., "Just Dancing Around" (1996), NVC Arts. a Warner Music Group Company
- "안무적 오브제 유투브채널" (2020)[URL]
- "포사이드 홈페이지" (2020)[URL]
- "캠브리지 사전" (2020)[URL]
- "트리샤 브라운 홈페이지" (2020)[URL]