<론 스타>와 <에덴의 정원>에 나타난 경계의 의미
The meanings of border embodied in <Lone Star> and <el Jardín del Edén>
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Thisstudyaimstoexaminethemeaningsofborderembodiedin twoBordermovies,<LoneStar>and<elJardindelEdén>,bothof whichhavebeenacademicallyacclaimed.Themoviesexplorethe political,historicalandsocialinfluencesofracial,ethnic,sexualand culturaldifferencesintheborderregionofUS-Mexico.JohnSayles and María Novaro,the directors deploy the border or border crossing as a visual argument to reveal the arbitrariness,controversy and bloodiness deeply embedded in many official demarcations,whichhaveexertedoppressivepowertomultifarious aspects of life in the border area.They implicitly contesta triumphalisticview oftheborderasaliberatoryspaceinBorder theoriesandChicanowritingthatsomerecentscholarshavebegun tocallintoquestion. Alignedwiththischallengingview,thestudyattemptstoanalyze thenarrativesandvisualrepresentationofbordersoastoshow how eachfilm carvesoutthepoliticalandphilosophicalimplications ofbordercrossing in the very specific geopoliticalsite ofthe bordercitiessuchasLaFrontera(imaginary)andTijuana(real).
Abstract
Thisstudyaimstoexaminethemeaningsofborderembodiedin twoBordermovies,<LoneStar>and<elJardindelEdén>,bothof whichhavebeenacademicallyacclaimed.Themoviesexplorethe political,historicalandsocialinfluencesofracial,ethnic,sexualand culturaldifferencesintheborderregionofUS-Mexico.JohnSayles and María Novaro,the directors deploy the border or border crossing as a visual argument to reveal the arbitrariness,controversy and bloodiness deeply embedded in many official demarcations,whichhaveexertedoppressivepowertomultifarious aspects of life in the border area.They implicitly contesta triumphalisticview oftheborderasaliberatoryspaceinBorder theoriesandChicanowritingthatsomerecentscholarshavebegun tocallintoquestion. Alignedwiththischallengingview,thestudyattemptstoanalyze thenarrativesandvisualrepresentationofbordersoastoshow how eachfilm carvesoutthepoliticalandphilosophicalimplications ofbordercrossing in the very specific geopoliticalsite ofthe bordercitiessuchasLaFrontera(imaginary)andTijuana(real).
참고문헌 (10)
- Adams, Anna, "Forget the Alamo: Thinking About History in John Sayles' Lone Star", The History Teacher, 40(3), pp.339~347 (2007)
- Arreola, Daniel, "Forget the Alamo: The Border as Place in John Sayles' Lone Star", Journal of Cultural Geography, 23(1), pp.23~42 (2005)
- Barr, Alan, "The Borders of Time, Place, and People in John Sayles's Lone Star", Journal of American Studies, 37(3), pp.365~374 (2003)
- Castillo, Debra, "Border Women: writing from la frontera" (2002), U. of Minnesota Press
- Castillo, Debra, "Fuentes Fronterizo", Arizona Journal of Hispanic Cultural Studies, 4, pp.159~174 (2000)
- Fox, Claire, "The Fence and the River: Culture and Politics at the US-Mexico Border" (1999), U. of Minnesota Press
- Kaminsky, Amy, "Identity at the Border: Narrative Strategies in María Novaro's El Jardín del Edén and John Sayles's Lone Star", STCL, 25(1), pp.91~117 (2001)
- Naficy, Hamid, "Home, Exile, Homeland" (1999), Routledge
- Noble Andrea, "Yéndose por la tangente: The Border in María Novaro's El Jardín del Edén", Journal of Iberian and Latin American Studies, 7(2), pp.190~202 (2001)
- West, Dennis, "Borders and boundaries: An interview with John Sayles", Cineaste, 22(3), pp.14~17 (1996)