국경과 이념의 체화 -다큐멘터리 스토리텔링으로 본 쿠바 발레-
Embodying the Borders and Ideology: Cuban Ballet in Documentary Storytelling
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
This study explores the embodiment of the concept of national borders and ideology through an analysis of the documentary film, Boxers and Ballerinas. Based on a literature review on narratology and image analysis of the documentary from a Structuralist perspective, the study discusses how this sharp-eyed documentary storytelling conveys the profound meaning of a nation and human rights while contrasting the lives of young athletes and ballerinas as Cubans and Cuban-Americans. Even though ballet is generally considered the most classical and institutionalized European art form today, the collaborative work of the directors, cinematographers, and editors of Boxers and Ballerinas is focused more on ballet as the symbolic locus of freedom and individual dreams. Finally, this study examines ballet as a socio-political practice and mode of communication by revealing the relationship between connotative visual narratives inherent in the documentary storytelling and the significance of this relationship.
Abstract
This study explores the embodiment of the concept of national borders and ideology through an analysis of the documentary film, Boxers and Ballerinas. Based on a literature review on narratology and image analysis of the documentary from a Structuralist perspective, the study discusses how this sharp-eyed documentary storytelling conveys the profound meaning of a nation and human rights while contrasting the lives of young athletes and ballerinas as Cubans and Cuban-Americans. Even though ballet is generally considered the most classical and institutionalized European art form today, the collaborative work of the directors, cinematographers, and editors of Boxers and Ballerinas is focused more on ballet as the symbolic locus of freedom and individual dreams. Finally, this study examines ballet as a socio-political practice and mode of communication by revealing the relationship between connotative visual narratives inherent in the documentary storytelling and the significance of this relationship.
참고문헌 (19)
- 버나드, S. C., "다큐멘터리 스토리텔링: 논픽션 영화의 극적 재구성" (2013), 커뮤니케이션북스
- 보이드, B., "이야기의 기원" (2013), 휴머니스트
- 살몽, C., "스토리텔링: 이야기를 만들어 정신을 포맷하는 장치" (2010), 현실문화
- 오원환, "다큐멘터리 스타일" (2014), 커뮤니케이션북스
- 위에, A, "시나리오" (2005), 이화여자대학교출판부
- Roca, O, "Cuban Ballet" (2010), Gibbs Smith
- 류은영, "내러티브와 스토리텔링 : 문학에서 문화콘텐츠로", 인문콘텐츠, (14), pp.229~262 (2009), 인문콘텐츠학회
- 신정환, "쿠바 문화의 기원과 쿠바 문학", 이베로아메리카연구, 11, pp.89~105 (2000)
- 이영주, "댄스 다큐멘터리에 나타난 기호학적 의미 - 뉴욕시티발레단의 <city.ballet.>를 중심으로", 대한무용학회 논문집, 76(1), pp.169~185 (2018), 대한무용학회[DOI]
- 한지영, "댄스 다큐멘터리 영화 「댄싱 베토벤 Dancing Beethoven 」(2016)의 내러티브 분석을 통한 댄스필름 논의", 무용예술학연구, 71(4), pp.1~26 (2018), 한국무용예술학회[DOI]
- 형대조, "다큐멘터리 스토리텔링에 대한 고찰", 영화연구, (62), pp.423~452 (2014), 한국영화학회[DOI]
- Bernard, S. C, "Story First: Narrative in Documentary", Studentfilmmakers, April, 22~27 (2006)
- Kerrigan, S., "The ‘Creative Treatment of Actuality’: Rationalizing and Reconceptualizing the Notion of Creativity for Documentary Practice", Journal of Media Practice, 11(2), pp.111~130 (2010)
- Cinequest, "Boxers and Ballerinas", Cinequest. (DVD, 83 minutes), ~ (2010)
- "Horizontes" (2018)[URL]
- "Miami Herald" (2018)[URL]
- "National Public Radio(NPR)" (2018)[URL]
- "Public Broadcasting Service(PBS)" (2018)[URL]
- "The Georgetown Voice" (2017)[URL]
