본문 바로가기
KERD
논문KCI 등재

새로운 가족의 탄생 -<내 어머니의 모든 것>과 <가족의 탄생>을 중심으로-

The Birth of the New Family: Focused on Todo sobre mi madre and Family Ties

0

조회

0

다운로드

1

인용

0

참고문헌

키워드

초록

The concept of "family" is not stagnant. And we are living in a time that redefines the concept of family in many variant ways. To look into its change in the late twentieth century and early twenty-first century, we use the comparative study of the spanish movie Todo sobre mi madre of Pedro Almodovar and the korean movie Family Ties of Kim Tae Yong. These films reflect the change of the family or of the concept of the family in our ``Global village``, even if these two countries are located very far away. So the kind of a comparative study is meaningful. Not only Todo sobre mi madre but also Family Ties reflect the social phenomena of creating many kinds of family, escaping from the old concept that is limited into the myth of the normal family. Besides, these films suggest an alternative type of family. According to this, the New Family does away with the Patriarchy and it is based not on the marriage and blood ties but on the love and care of the women.

Abstract

The concept of "family" is not stagnant. And we are living in a time that redefines the concept of family in many variant ways. To look into its change in the late twentieth century and early twenty-first century, we use the comparative study of the spanish movie Todo sobre mi madre of Pedro Almodovar and the korean movie Family Ties of Kim Tae Yong. These films reflect the change of the family or of the concept of the family in our ``Global village``, even if these two countries are located very far away. So the kind of a comparative study is meaningful. Not only Todo sobre mi madre but also Family Ties reflect the social phenomena of creating many kinds of family, escaping from the old concept that is limited into the myth of the normal family. Besides, these films suggest an alternative type of family. According to this, the New Family does away with the Patriarchy and it is based not on the marriage and blood ties but on the love and care of the women.

참고문헌 (24)

  1. 구번일, "모성의 수용 양상 : 신경숙과 공선옥의 소설을 중심으로", 석사, pp.2001
  2. 김경동, "현대의 사회학" (1983), 박영사
  3. 김기봉, "우리시대 가족이란 무엇인가 -영화로 보는 질문과 대답-", 드라마 연구, (30), pp.121~149 (2009), 한국드라마학회
  4. 김혜경, "가족, 허물기와 다시 쌓기, In 새여성학 강의", pp.193~216 (1999), 동녘
  5. 박복순, "가족법 가족관계등록법 해설" (2007), 한국여성정책연구원
  6. 박숙자, "가족과 성의 사회학" (1995), 사회비평사
  7. 엘리자베트 벡-게른스하임, "가족 이후의 가족, 오늘날의 가족생활, In 위험에 처한 세계와 가족의 미래", pp.121~135 (2010), 새물결
  8. 유지나, "가족의 탄생, 해제와 재구성", 대한토목학회지, 54(7), pp.86~88 (2006)
  9. 이명자, "대안가족을 꿈꾸는 영화, 또다른 ‘가족’의 발견", 민족 21, 15(73), pp.156~159 (2007)
  10. 임명호, "가족의 재구성, 새로운 가족의 모색을 위하여", 계간 논, (30), pp.218~225 (2009)
  11. 정동섭, "알모도바르 영화에 나타난 멜로드라마성 -모성의 멜로드라마를 중심으로-", 스페인어문학, 28(59), pp.289~308 (2011), 한국스페인어문학회
  12. 함인희, "다양한 가족: 신화로부터의 탈출, In 변화하는 사회 다양한 가족", pp.13~35 (2004), 양서원
  13. Allinson, Mark, "Un laberinto español" (2003), Ocho y medio
  14. Amago, Samuel, "Todo sobre Barcelona: Refiguring Spanish Identities in Recent European Cinema", Hispanic Research Journal, 8(1), pp.11~25 (2007)
  15. Elkind, David, "변화하는 가족" (1999), 이대출판부
  16. Hayward, Susan, "영화사전: 이론과 비평" (1997), 한나래
  17. Holguín, Antonio, "Pedro Almodóvar" (1999), Cátedra
  18. Markus, Sasa, "La poética de Pedro Almodóvar" (2001), Littera Books
  19. Polimeni, Carlos, "Pedro Almodóvar y el kitsch español" (2004), Campo de Ideas
  20. Rodríguez, Jesús, "Almodóvar y el melodrama de Hollywood" (2004), Maxtor
  21. Schatz, Thomas, "할리우드 장르의 구조" (1996), 한나래
  22. Stacey, Judith, "Good riddance to ‘the family’ : A response to David Popenoe", Journal of Marriage and the Family, 55, pp.545~547 (1993)
  23. "Tejiendo nuevas identidades: La red metaficcionale intertextual en Todo sobre mi madre de Pedro Almodóvar"[URL]
  24. Walby, Sylvia, "가부장제 이론" (1998), 이대출판부

관련 논문AI추천

이 간행물의 다른 논문 (10건)