빨치산 수기 『남부군』의 영화화 연구 －전쟁에 대한 대중 정서와 의식의 변화－

Abstract

Nambugun, penned by Lee Tae, is the first guerrilla memoir to be released after the press ban was lifted. It diverges from typical portrayals of fervently radicalized socialist characters, choosing instead to focus on everyday individuals who, when confronted with an ideological crossroads, opt for socialism, believing it’s in the best interests of the common people and laborers. The somber depiction of dwindling guerrilla forces encourages readers to reflect on the pointlessness of war rather than bask in the glory of triumph. The reason Nambugun not only topped bestseller lists but also inspired a cinematic adaptation is likely due to Lee Tae’s poignant representation of the Korean War, striking a chord with its contemporary audience. The film version of Nambugun accentuates the tragedy of the Korean War, viewing it as a fratricidal conflict. What sets it apart from other films with a similar ethos is its ability to navigate the often－turbulent production process and reach the big screen. The film’s release and subsequent commercial success can be attributed to a shifting confidence rooted in the late 1980s, marked by the closure of the Cold War era and South Korea’s perceived ideological triumph over the North. Additionally, evolving North－South relations catalyzed a shift in the public’s understanding and sentiment towards the Korean War and its guerrilla warfare.