金時習漢詩的兩個精神淵源
Two Spiritual Sources of Chinese Poetry in Kim Si-sup
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Throughout Kim Si-sup’s Chinese poetry, Qu Yuan and Tao Yuanming are undoubtedly the two most important spiritual origins. They not only gave Kim Si-sup a profound influence on the art of poetry, but also on his personality and spirit. Adherence to the Tao is the commonality of the three ancient poets. Kim Si-sup’s creation of Chinese poetry experienced the transformation from the wandering theme of “the pain of Li Sao” to Tao Yuanming’s theme of regressing to nature, during which the connotation of the Tao followed also changed from the Confucian practice(cultivate one’s moral character), harmony(regulate one’s family), governance and peace(rule the country and the world) to the spiritual liberation and the true life of Taoism.
Abstract
Throughout Kim Si-sup’s Chinese poetry, Qu Yuan and Tao Yuanming are undoubtedly the two most important spiritual origins. They not only gave Kim Si-sup a profound influence on the art of poetry, but also on his personality and spirit. Adherence to the Tao is the commonality of the three ancient poets. Kim Si-sup’s creation of Chinese poetry experienced the transformation from the wandering theme of “the pain of Li Sao” to Tao Yuanming’s theme of regressing to nature, during which the connotation of the Tao followed also changed from the Confucian practice(cultivate one’s moral character), harmony(regulate one’s family), governance and peace(rule the country and the world) to the spiritual liberation and the true life of Taoism.
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