19세기의 우울과 환각 : 보들레르 환각체험 작품을 중심으로
Spleen and hallucination of the 19th century – around the works of hallucinatory experience of Baudelaire
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참고문헌
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초록
본고는 전통양식에 반하는 문학을 추구한 보들레르의 모호한 감정인 우울을 규명하고 그 감정에서 솟아나는 일종의 반작용으로서의 환각을 분석하는 것에 지향점을 둔다. 따라서 본고는 19세기 현대성이란 새로운 시대적 색채를 읽어낸 보들레르의 마약에 대한 열광이 현대사회에 대응한 그의 감수성에서 발현하였음을, 또한 현실로부터의 도피를 딛고 피어난 창의성의 동력으로 작용하였음을 밝히는 연구이다.
Abstract
This article is a study on the literary works of Baudelaire, a pioneer of modern poetry in the West, dealing with his hallucinatory experiences. We will seek to analyze the route followed by Baudelaire during his journeys leading to artificial Heavens thanks to drunkenness and hallucinatory substances such as opium and hashish. Thus, it is generally accepted that Baudelaire's hallucinatory experience was linked to his feeling of spleen, and that the source of his spleen came from the new aspect of Paris that had become metropolitan, black, gloomy and noisy due to modern industrialization. In other words, the reason behind Baudelaire's hallucinatory experiences lay in his discomfort and the suffering he felt in the midst of the modern city where the crowd appeared overwhelming towards the poet himself. As a result, he sought to explore the artificial Heavens to escape the real world, which only brought him boredom, depression, suffering, in short, spleen.
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