Doublage cinematographique et audiovisuel:de la <<tradaptation>>aux voix de reve
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The problems research deals with problems unique to dubbed translations of screenplays. Solutions in conventional translation have limited relevance for dubbed translation because of its unique mode of delivery marked most notably by the requirement of synchronism between sound and text. This often forces the translator to settle for options which may not be the best under other circumstances. The success of dubbed translation also hinges critically on the translator’s ability to find equivalents that, on top of being semantically relevant to the ST, can arouse the intended emotional responses from the audience.
Abstract
The problems research deals with problems unique to dubbed translations of screenplays. Solutions in conventional translation have limited relevance for dubbed translation because of its unique mode of delivery marked most notably by the requirement of synchronism between sound and text. This often forces the translator to settle for options which may not be the best under other circumstances. The success of dubbed translation also hinges critically on the translator’s ability to find equivalents that, on top of being semantically relevant to the ST, can arouse the intended emotional responses from the audience.
참고문헌 (5)
- "E. 1992. Translator Investigator. Problems of translating voice-overs. dans", pp.9~10
- Nouvelles de la FIT - FIT Newsletter 11, "B. 1993. Translating in the electronic media in Borno State. dans", pp.256~
- P. 1965. La traduction au cin?ma. dans, "?bersetzen. Vortr?ge und Beitr?ge vom internationalen"
- CALDWELL, "D. 1973. Use of graded captions with instructional television for deaf learners. dans American Annals of the Deaf 118", pp.500~507
- Y, "a call to arms! dans"
