芝川 黃廷彧 詩의 拗體에 대하여

Abstract

The purpose of this paper is to review Korean acceptance of Yo Style through the operation of a rhetorical technique called Yo Style in the Korean history of Chinese poetry during the reign of Seongjong~Seonjo in the middle of the Joseon Dynasty through Hae Dong Gang Seo Poetry Group who was concerned about the acquisition of poetic aesthetics, especially the example of Yo Style shown in Seven Characters Regulated Verse of Jichun Hwang Jeongug. The feature of this Poetry Group in the history of literature is that it accepted the poetics of Chinese Gang Seo Poetry Group. In that sense, the operation of Yo Style shown in the poems of Jichun, one of figures that can be divided into this Poetry Group needs to be dis- cussed. Emphasis was placed on explaining the concept of Yo Style mentioned in the meantime and revealing how internal feelings of the author are ex- pressed through construction of specific Yo Style. For Jichun, the operation of Yo Style can be said to be the mystery of the rhetorical technique for effectively conveying poetic contents that is, the author’s feelings, through the conversion of Pyeongcheuk (different tones in which characters are pronounced in Chinese) made under artificial intentions not accidental devi- ation due to the inexperience of rhythms.