≪太平廣記≫ 仙界와 영화 <매트릭스>-가상 현실의 공간이동에 주목하여
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In this paper, I investigated the meaning and potential of imagination embedded in the Taoist’s world of ≪T’ai-P’ing-Kuang-Chi≫ and the virtual space of the movie <The Matrix>. At first glance, it seems that space in the literary work and the space provided by a machine have no common code. However, both of them deliver similar messages and we cannot reach there geographically even though we can imagine their realities. In chapter 2, the entrance and exit process of the surreal world was described with examples of the scenes in the literature and the movie. In chapter 3, the literary settings and messages of the teleportation were considered. The conclusions are as follows: It is our own choice that makes the Taoist’s world and the space in virtual reality to enrich our life or to be a mere form of escapism from the real world. Furthermore, we imagine and long for the imaginary spaces more and more because not only they provide us fun with indirectly experiencing the second, the third and more outer space, but also lead us to look at our ego inclusively. The new world which we are sensing is derived from the worlds we experienced before. That is, the new world is a combination and adaption of slices of previous worlds. Therefore, imagination is based more or less on reality. This implies that we will be able to find plenty of meanings by attaching importance not to possibility of physical sensing with eyes but to the expansion of our mind beyond the real world.
Abstract
In this paper, I investigated the meaning and potential of imagination embedded in the Taoist’s world of ≪T’ai-P’ing-Kuang-Chi≫ and the virtual space of the movie <The Matrix>. At first glance, it seems that space in the literary work and the space provided by a machine have no common code. However, both of them deliver similar messages and we cannot reach there geographically even though we can imagine their realities. In chapter 2, the entrance and exit process of the surreal world was described with examples of the scenes in the literature and the movie. In chapter 3, the literary settings and messages of the teleportation were considered. The conclusions are as follows: It is our own choice that makes the Taoist’s world and the space in virtual reality to enrich our life or to be a mere form of escapism from the real world. Furthermore, we imagine and long for the imaginary spaces more and more because not only they provide us fun with indirectly experiencing the second, the third and more outer space, but also lead us to look at our ego inclusively. The new world which we are sensing is derived from the worlds we experienced before. That is, the new world is a combination and adaption of slices of previous worlds. Therefore, imagination is based more or less on reality. This implies that we will be able to find plenty of meanings by attaching importance not to possibility of physical sensing with eyes but to the expansion of our mind beyond the real world.
참고문헌 (46)
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