韓․中 ‘幻’ 敍事의 時空間的 敍述美學 - 《列仙傳》·《太平廣記》·《於于野譚》·《海東異蹟》을 중심으로
Aesthetics of Space Time Description of Korean and Chinese Fantasy Literature ― based on "Lie Xian Zhuan", "Tai Ping Guang Ji", "Eo U Ya Dam" and "Hae Dong I Jeok"
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In this paper, I reviewed the aesthetic characteristics of Korean and Chinese fantasy literature focused on time and space in the viewpoint of the culture of 21 century east asian society and discussed the meanings of them in the position of modern age. The space-time characteristics of Korean and Chinese fantasy literature was examined and the aesthetic characteristics embeded in the east asian fantasy literature was revealed by analyzing examples in the original sources. For the purpose of these, the aesthetic characteristics of both Korean and Chinese literature was investigated with "Lie Xian Zhuan(《列仙傳》)" which is the oldest tale of China on Taoist hermits with miraculous powers, "Tai Ping Guang Ji(《太平廣記》)" which is called the ocean of Chinese novelists, "Eo U Ya Dam(《於于野譚》)" which is the first Korean historical story book and "Hae Dong I Jeok(《海東異蹟》)" which is the oldest tale of Korea on Taoist hermits. Especially, "Tae Pyong Kwang Ki" has not only a tremendous value in the history of Chinese novels but also great influences on Korean stories, novels and even other east asian literature. Thus it is the most important reference and we cannot help taking a careful look at it. First of all, the origin and development of Korean and Chinese fantasy literature was examined. In the section of "Aesthetics of Description of Time in Fantasy Literature", the narrative characteristics of dissolving the physical and objective time into the personal and relative time and restructuring it with literal imaginations was considered. In the section of "Aesthetics of Description of Space in Fantasy Literature", It was considered that the hyper-space in a work exists in the real world where we live with psychological desire. Fantasy originates from the point where physically absent but psychologically present desire is visualized. Fantasy is a gap between reality and surreality. Fantasy is also the contact point of reality and surreality.
Abstract
In this paper, I reviewed the aesthetic characteristics of Korean and Chinese fantasy literature focused on time and space in the viewpoint of the culture of 21 century east asian society and discussed the meanings of them in the position of modern age. The space-time characteristics of Korean and Chinese fantasy literature was examined and the aesthetic characteristics embeded in the east asian fantasy literature was revealed by analyzing examples in the original sources. For the purpose of these, the aesthetic characteristics of both Korean and Chinese literature was investigated with "Lie Xian Zhuan(《列仙傳》)" which is the oldest tale of China on Taoist hermits with miraculous powers, "Tai Ping Guang Ji(《太平廣記》)" which is called the ocean of Chinese novelists, "Eo U Ya Dam(《於于野譚》)" which is the first Korean historical story book and "Hae Dong I Jeok(《海東異蹟》)" which is the oldest tale of Korea on Taoist hermits. Especially, "Tae Pyong Kwang Ki" has not only a tremendous value in the history of Chinese novels but also great influences on Korean stories, novels and even other east asian literature. Thus it is the most important reference and we cannot help taking a careful look at it. First of all, the origin and development of Korean and Chinese fantasy literature was examined. In the section of "Aesthetics of Description of Time in Fantasy Literature", the narrative characteristics of dissolving the physical and objective time into the personal and relative time and restructuring it with literal imaginations was considered. In the section of "Aesthetics of Description of Space in Fantasy Literature", It was considered that the hyper-space in a work exists in the real world where we live with psychological desire. Fantasy originates from the point where physically absent but psychologically present desire is visualized. Fantasy is a gap between reality and surreality. Fantasy is also the contact point of reality and surreality.
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