人魚의 상징의미와 문학적 수용 - 《山海經》에서 《鏡花緣》까지
The Symbolic meaning and literary variation of mermaid-from《Shanhaijing》to《jinghwayuan》
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초록
The aim of this study is to examine the symbolic meaning of mermaid and its literary adaptation in the Chinese literature from the New Stone Age to the Han Dynasty. According to ancient relics of Yangshao culture and Daxi culture in the New Stone Age, and Shanhaijing and Huainanzi, mythical text, mermaid symbolized life, fertility and resurrection. From the Han Dynasty to the Tang Dynasty, mermaid became humanized one from sacred being. Mermaid shed marble tears, wove silk and was subject to intercourse. Since the Song Dynasty, mermaid was transformed from human to a beautiful woman. The woman was expressed as marginal, exotic and barbaric images. The record of Cuyiji shows such change well. Such representation method of mermaid is highly related to ‘China’ awareness generated at the Song Dynasty. In the Ming Dynasty, mermaid was recorded as the subject of observation and collection in line with the increase of encyclopedia, travel book and map. The records on mermaid in Yiyutuzan and Xianbinlu demonstrate it. In the Qing Dynasty, mermaid was fixed as an imaginary being from actual knowledge. During the Qing Dynasty, mermaid is mainly recorded in a novel, a fictitious narrative. For example, records on mermaid are shown in novels such as Jinghwayuan and Xieduo.
Abstract
The aim of this study is to examine the symbolic meaning of mermaid and its literary adaptation in the Chinese literature from the New Stone Age to the Han Dynasty. According to ancient relics of Yangshao culture and Daxi culture in the New Stone Age, and Shanhaijing and Huainanzi, mythical text, mermaid symbolized life, fertility and resurrection. From the Han Dynasty to the Tang Dynasty, mermaid became humanized one from sacred being. Mermaid shed marble tears, wove silk and was subject to intercourse. Since the Song Dynasty, mermaid was transformed from human to a beautiful woman. The woman was expressed as marginal, exotic and barbaric images. The record of Cuyiji shows such change well. Such representation method of mermaid is highly related to ‘China’ awareness generated at the Song Dynasty. In the Ming Dynasty, mermaid was recorded as the subject of observation and collection in line with the increase of encyclopedia, travel book and map. The records on mermaid in Yiyutuzan and Xianbinlu demonstrate it. In the Qing Dynasty, mermaid was fixed as an imaginary being from actual knowledge. During the Qing Dynasty, mermaid is mainly recorded in a novel, a fictitious narrative. For example, records on mermaid are shown in novels such as Jinghwayuan and Xieduo.
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