1980년대 중국문학사 서술의 맹점 ― 路遙의 사례를 중심으로
The Blind Spots of Description of History of Chinese Literature in the 1980s: With Emphasis on the Case of Lu Yao
0
조회
0
다운로드
5
인용
0
참고문헌
키워드
초록
The ‘Theory of 20th Century Chinese Literature,' which is the history of literature stated from the view of the so-called New Era that emerged after Deng Xiao Ping seized power in the 1980s, is showing the limitation of its historical validity from the contemporary views. These historical discourses that are clearly centered on the intellectuals cannot reflect the contradiction of the Chinese ruling class and the contradiction of urban-rural relations, which were the major contradictions of the Chinese society after the reformation. For this reason, these contradictions remain as the blind spots of the history of contemporary history that describes China since the 1980s. In this respect, Lu Yao, the realist writer who represents the 1980s, is one of the most critical blind spots. Although he has been welcomed by many readers since the 1980s and is a writer with significant value in the history of literature who completed the contradiction of urban-rural relations with a novel-like epic, which is one of the major contradictions of the Chinese society after the reformation, Lu Yao is strictly excluded from the major publications on the history of literature. This study recognized this issue and intended to re-examine the value of Lu Yao in the history of literature and discuss how Lu Yao is described in The History of Contemporary Chinese Literature of Hong Zi Cheng, the most recognized author of the history of literature. Through this case study, this study pointed out the epic limitation of ‘belletrism' of the Theory of 20th Century Chinese Literature, which is represented by the history of literature written by Hong Zi Cheng. Moreover, it suggests the needs for the epic of alternative history for the comprehensive view of the development of Chinese literature since the 1980s and the needs to set new study topics for that purpose.
Abstract
The ‘Theory of 20th Century Chinese Literature,' which is the history of literature stated from the view of the so-called New Era that emerged after Deng Xiao Ping seized power in the 1980s, is showing the limitation of its historical validity from the contemporary views. These historical discourses that are clearly centered on the intellectuals cannot reflect the contradiction of the Chinese ruling class and the contradiction of urban-rural relations, which were the major contradictions of the Chinese society after the reformation. For this reason, these contradictions remain as the blind spots of the history of contemporary history that describes China since the 1980s. In this respect, Lu Yao, the realist writer who represents the 1980s, is one of the most critical blind spots. Although he has been welcomed by many readers since the 1980s and is a writer with significant value in the history of literature who completed the contradiction of urban-rural relations with a novel-like epic, which is one of the major contradictions of the Chinese society after the reformation, Lu Yao is strictly excluded from the major publications on the history of literature. This study recognized this issue and intended to re-examine the value of Lu Yao in the history of literature and discuss how Lu Yao is described in The History of Contemporary Chinese Literature of Hong Zi Cheng, the most recognized author of the history of literature. Through this case study, this study pointed out the epic limitation of ‘belletrism' of the Theory of 20th Century Chinese Literature, which is represented by the history of literature written by Hong Zi Cheng. Moreover, it suggests the needs for the epic of alternative history for the comprehensive view of the development of Chinese literature since the 1980s and the needs to set new study topics for that purpose.
참고문헌 (73)
- 路遙, "路遙全集: 人生" (2013), 十月文藝出版社
- 路遙, "路遙全集: 平凡的世界(3冊)" (2013), 十月文藝出版社
- 路遙, "路遙全集: 一生中最高興的一天" (2013), 十月文藝出版社
- 路遙, "路遙全集: 早晨從中午開始" (2013), 十月文藝出版社
- 路遙, "路遙文集(全5卷)" (2005), 人民文學出版社
- 柳青, "創業史" (2009), 中國青年出版社
- 왕후이, "탈정치 시대의 정치" (2014), 돌베개
- 陳思和, "중국당대문학사" (2008), 문학동네
- 洪子誠, "중국당대문학사" (2000), 비봉출판사
- 蔡翔, "革命ㆍ敘述: 中國社會主義文學: 文化想象: 1949-1966" (2010), 北京大學出版社
- 蔡志海, "農民進城 — 處於傳統與現代之間的中國農民工" (2008), 華中師範大學出版社
- 陳思和, "中國當代文學史敎程" (1999), 復旦大學出版社
- 程光煒, "重返八十年代" (2009), 北京大學出版社
- 程光煒, "文學講稿: “80年代”作爲方法" (2009), 北京大學出版社
- 程光煒, "重讀路遙" (2013), 北京大學出版社
- 賀桂梅, "“新啟蒙”知識檔案: 80年代中國文化研究" (2010), 北京大學出版社
- 洪子誠, "中國當代文學史" (2010), 北京大學出版社
- 洪子誠, "中國當代文學史" (1999), 北京大學出版社
- 洪子誠, "中國當代文學" (1988), 北京大學出版社
- 黃文倩, "在巨流中擺渡: “探求者”的文學道路與創作困境" (2012), 國立台灣師範大學出版社
- 呂途, "中國新工人: 迷失與崛起" (2013), 法律出版社
- 雷達, "路遙研究資料" (2006), 山東文藝出版社
- 李建軍, "路遙十五年祭" (2007), 新世界出版社
- 李建軍, "路遙評論集" (2007), 人民文學出版社
- 李運摶, "中國當代現實主義文學六十年" (2008), 百花洲文藝出版社
- 李雲雷, "新世紀“底層文學”與中國故事" (2014), 中山大學出版社
- 李澤厚, "中國現代思想史論" (1987), 東方出版社
- 馬一夫, "路遙研究資料彙編" (2006), 中國文史出版社
- 馬一夫, "路遙紀念集" (2007), 人民文學出版社
- 孟繁華, "中國當代文學六十年" (2015), 北京大學出版社
- 潘維, "中國模式: 解讀人民共和國的60年" (2009), 中央編譯出版社
- 潘維, "人民共和國六十年與中國模式" (2010), 三聯書店
- 錢理群, "拒絶遺忘: “1957年學”硏究筆記" (2007), 香港牛津大學出版社
- 錢理群, "毛澤東時代與後毛澤東時代(1949-2009): 另一種歷史書寫" (2012), 聯經出版事業公司
- 申曉, "守望路遙" (2007), 太白文藝出版社
- 楊曉帆, "柳青的遺產: ‘交叉地帶’的文學實踐 ― 路遙論", 博士, pp.2013
- 宗元, "魂斷人生: 路遙論" (2000), 上海文藝出版社
- 祝東力, "精神之旅 — 新時期以來的美學與知識分子" (1998), 中國廣播電視出版社
- 陳華積, "高加林的“覺醒”與路遙的矛盾 — 兼論路遙與80年代的關系", 現代中文學刊, (3) (2012)
- 程光煒, "當代文學六十年", 文藝爭鳴, (10) (2009)
- 程光煒, "新時期文學的“起源性”問題", 當代作家評論, (3) (2010)
- 程光煒, "關於勞動的寓言 ― 重讀路遙小說｢人生｣", 現代中文學刊, (3) (2012)
- 海波, "我所認識的路遙(節選)", 文藝爭鳴, (4) (2015)
- 何吉賢, "今天,我們該如何講述中國農村", 中國文化報(電子版), ~ (2015)
- 賀照田, "從“潘曉討論”看當代中國大陸虛無主義的曆史與觀念成因", 開放時代, (7) (2010)
- 賀仲明, "『平凡的世界』現象透析", 文藝爭鳴, (4) (2005)
- 黃平, "從“勞動”到“奮鬥” — “勵志型”讀法ㆍ改革文學與『平凡的世界』", 文藝爭鳴, (5) (2010)
- 賈平凹, "我是農民 — 鄉下五年的記憶", 大家, (6) (1998)
- 金理, "在時代沖突和困頓深處:回望孫少平", 文學評論, (5) (2012)
- 曠新年, "“重寫文學史”的終結與中國現代文學研究轉型", 南方文壇, (1) (2003)
- 梁向陽, "路遙｢驚心動魄的一幕｣的發表過程及其意義", 文藝爭鳴, (4) (2015)
- 李繼凱, "矛盾交叉: 路遙文化心理的複雜構成", 文藝爭鳴, (3) (1992)
- 李建軍, "文學寫作的諸問題 — 爲紀念路遙逝世十周年而作", 南方文壇, (6) (2002)
- 李星, "在現實主義的道路上 — 路遙論", 文學評論, (4) (1991)
- 李雲雷, "“底層文學”: 提出問題的方式", 文藝理論與批評, (5) (2011)
- 李雲雷, "“底層文學”在新世紀的崛起", 天涯, (1) (2008)
- 李雲雷, "從“純文學”到“底層文學” — 李雲雷訪談錄", 藝術廣角, (3) (2010)
- 孟繁華, "鄉村文明的變異與“50後”的境遇 —— 當下中國文學狀況的一個方面", 文藝研究, (6) (2012)
- 謝延秀, "文學史爲何要遮蔽路遙", 小說評論, (2) (2015)
- 徐剛, "交叉地帶的敘事景象 — 試論十七年文學脈絡中的路遙小說創作", 南方文壇, (2) (2012)
- 邵燕君, "『平凡的世界』不平凡 — “現實主義暢銷書”的生產模式分析", 小說評論, (1) (2003)
- 汪暉, "去政治化的政治､ 霸權的多重構成與六十年代的消逝", 開放時代, (2) (2007)
- 王金勝, "當代文學史寫作: 方法, 可能與限度 — 以洪子誠著『中國當代文學史』爲中心", 三峽大學學報, 26(5)
- 王一川, "中國晚熟現實主義的三元交融及其意義 — 讀路遙的『平凡的世界』", 文藝爭鳴, (12) (2010)
- 邢小利, "永遠的路遙", 文彙報, ~ (1999)
- 熊修雨, "穿過雲層的陽光 ― 論路遙及其創作對中國當代文學的反思", 學術探索, (3) (2003)
- 楊慶祥, "路遙的自我意識和寫作姿態 — 兼及1985年前後“文學場”的曆史分析", 南方文壇, (6) (2007)
- 楊慶祥, "妥協的結局和解放的難度 — 重讀｢人生｣", 南方文壇, (2) (2011)
- 楊慶祥, "重讀路遙" (2013), 北京大學出版社
- 楊曉帆, "怎麼辦? — ｢人生｣與80年代‘新人’故事", 文藝爭鳴, (4) (2015)
- 張紅秋, "路遙: 文學戰場上的“紅衛兵”", 蘭州大學學報, (2) (2007)
- 趙學勇, "路遙的鄉土情結", 蘭州大學學報(社會科學版), (2) (1996)
- 趙學勇, "再議被文學史遮蔽的路遙", 小說評論, (1) (2013)