본문 바로가기
KERD
논문KCI 등재

‘저층문학’의 공동체 상상 ― 曹征路의 「那兒」을 중심으로

The Imagination of Community in Diceng Literature: Focusing on Cao Zhenglu’s Nar

0

조회

0

다운로드

1

인용

0

참고문헌

키워드

주제분류중국어와문학

초록

Nar (There/International), which is written by Cao Zhenglu in2004, is named as the beginning of Diceng (Lower) Literature incontemporary Chinese literature. This article reexamines thesignificance of text, Nar, reconstructing the context of how the textbecomes the problematics in Chinese literature sphere since 2000s. Tracing discussion on the “new leftist” literature regarding Nar, Idiscover that the problem, which pros and cons were considered as,shows particular perspective to interpret text in a different andnew way. The point that debates miss is that fact this text raisesa question on Chinese reality and literature, while the pros andcons regard it as an “answer” to the reality and literature inChina. The issue focuses on how character’s failure in narrative isviewed. Specifically the critics consider it as the writer’s incapacityand failure in narrative. But I suggest another kind ofinterpretation on the character’s failure. It is clear that the character’s trace reveals reality that worker tries to resist to thechanged circumstance around Chinese worker since restructure ofnation-owned company, but an existing resistance way of workersdoes not effect any more. The resistance is not successful and thecommunity is deconstruct, but not complete/recovery in narrative. Itis important that workers’ resistance in the text does not articulatehope and perspective easily and directly. I emphasize that theprocess, the character’s failure and the collapse of existingcommunity, is the point that text would narrate throughout thestory. I suggest to turn critics’ attention to character’s failure intospecific thoughts on community. The text is reinterpreted as aninquiry on community. It raises a question whether and how thecommunity can be possible since post-socialist China. Reviewing thetext carefully, we discover that narrative itself experiences andthinks the “limit” of resistance that main character Zhu Weiguo,the leader of workers union, performs. Zhu’s suicide is chosen byprocess of drawing back from his concept of representative forworkers and moving forward “us” beyond himself. Consequently, Itis not suitable that text is viewed as promotion of communitydeconstruction. Zhu and his colleague workers escape all of theproject regarding perfection of community and let an existingcommunity incomplete. And they are waiting for coming communityas the narrative shows in conclusion. It is another narrativeversion of community possibility. Through registering narrativeabout failure, narrative specifically shows the way and possibility,that imagines and practices future and different community againstfailure of the existing community. In other words, it is posit asliterature that revitalizes thoughts on community.

Abstract

Nar (There/International), which is written by Cao Zhenglu in2004, is named as the beginning of Diceng (Lower) Literature incontemporary Chinese literature. This article reexamines thesignificance of text, Nar, reconstructing the context of how the textbecomes the problematics in Chinese literature sphere since 2000s. Tracing discussion on the “new leftist” literature regarding Nar, Idiscover that the problem, which pros and cons were considered as,shows particular perspective to interpret text in a different andnew way. The point that debates miss is that fact this text raisesa question on Chinese reality and literature, while the pros andcons regard it as an “answer” to the reality and literature inChina. The issue focuses on how character’s failure in narrative isviewed. Specifically the critics consider it as the writer’s incapacityand failure in narrative. But I suggest another kind ofinterpretation on the character’s failure. It is clear that the character’s trace reveals reality that worker tries to resist to thechanged circumstance around Chinese worker since restructure ofnation-owned company, but an existing resistance way of workersdoes not effect any more. The resistance is not successful and thecommunity is deconstruct, but not complete/recovery in narrative. Itis important that workers’ resistance in the text does not articulatehope and perspective easily and directly. I emphasize that theprocess, the character’s failure and the collapse of existingcommunity, is the point that text would narrate throughout thestory. I suggest to turn critics’ attention to character’s failure intospecific thoughts on community. The text is reinterpreted as aninquiry on community. It raises a question whether and how thecommunity can be possible since post-socialist China. Reviewing thetext carefully, we discover that narrative itself experiences andthinks the “limit” of resistance that main character Zhu Weiguo,the leader of workers union, performs. Zhu’s suicide is chosen byprocess of drawing back from his concept of representative forworkers and moving forward “us” beyond himself. Consequently, Itis not suitable that text is viewed as promotion of communitydeconstruction. Zhu and his colleague workers escape all of theproject regarding perfection of community and let an existingcommunity incomplete. And they are waiting for coming communityas the narrative shows in conclusion. It is another narrativeversion of community possibility. Through registering narrativeabout failure, narrative specifically shows the way and possibility,that imagines and practices future and different community againstfailure of the existing community. In other words, it is posit asliterature that revitalizes thoughts on community.

참고문헌 (39)

  1. 曹征路, "那兒", 當代, (5) (2004)
  2. 曹征路, "立場, 審美與'動態的平衡'", 上海文學, (9) (2008)
  3. 廣新年, "那兒: 工人階級的傷痕文學", 文藝理論與批評, (2) (2005)
  4. 曠新年, "'新左翼文學'與歷史的可能性", 文藝理論與批評, (6) (2008)
  5. 廣新年, "曹征路'底層寫作'意義的再認識", 文藝爭鳴, (2) (2014)
  6. 冷嘉, "那兒 中對歷史記憶的書寫", 當代作家評論, (6) (2005)
  7. 劉繼明, "我們怎樣敍述底層", 天涯, (5) (2005)
  8. 孟繁華, "新世紀十年", 東岳論叢, 32(2) (2011)
  9. 符鵬, "階級想像的危機與底層話語的困境: 重讀小說「那兒", 中國現代文學硏究叢刊, (6) (2014)
  10. 邵燕君, "'底層'如何文學", 小說選刊, (3) (2006)
  11. 楊宏海, "關于打工文學與底層寫作的對話", 文藝爭鳴, (15) (2010)
  12. 劉繼明, "新左翼文學與當下思想境況", 黃河文學, (3) (2007)
  13. 劉旭, "在生存中寫作: 從'底層文學'到'打工文學'", 文藝爭鳴, (23) (2010)
  14. 李亞婭, "底層敍事: 言說的理路與岐途", 江漢大學學報, 25(6) (2006)
  15. 李雲雷, "底層寫作的誤區與新'左翼文藝'可能性: 以「那兒」爲中心的思考", 海南師範學院學報, (1) (2006)
  16. 李雲雷, "2006: '底層敍事'的新拓展", 文藝理論與批評, (1) (2007)
  17. 李雲雷, "問蒼茫 與'新左翼文學'的可能性", 南方文壇, (2) (2009)
  18. 李雲雷, "翻身之後再'飜心'―底層文化的出路", 綠葉, (1-2) (2010)
  19. 李雲雷, "新世紀文學中的'底層文學'論綱", 文藝爭鳴, (11) (2010)
  20. 李雲雷, "'底層文學'提出問題的方式", 文藝理論與批評, (5) (2011)
  21. 李雲雷, "'底層文學'與靑年作家", 藝術評論, (9) (2011)
  22. 李雲雷, "如何講述中國的故事" (2011), 作家出版社
  23. 李雲雷, "'底層敍事'中的藝術問題", 上海文學, (11) (2007)
  24. 李雲雷, "從'純文學'到'底層文學': 李雲雷放談錄", 藝術廣角, (3) (2010)
  25. 李陀, "漫說'純文學'", 上海文學, (3) (2001)
  26. 張屛瑾, "那兒來的文學", 當代作家評論, (6) (2005)
  27. 陳曉明, "'人民性'與美學的脫身術", 文學評論, (2) (2005)
  28. 蔡翔, "底層", 鍾山, (5) (1996)
  29. 蔡翔, "底層問題與知識分子的使命", 天涯, (3) (2004)
  30. 何言宏, "當代中國的新左翼文學", 南方文壇, (1) (2008)
  31. 차태근, "새로운 아시아를 상상한다" (2003), 창비
  32. 모리스 블랑쇼, "밝힐 수 없는 공동체, 마주한 공동체" (2005), 문학과지성사
  33. 장-뤽 낭시, "무위의 공동체" (2010), 인간사랑
  34. 장-뤽 낭시, "신, 정의, 사랑, 아름다움" (2012), 갈무리
  35. 조르조 아감벤, "도래하는 공동체" (2014), 꾸리에
  36. 박준상, "장-뤽 낭시와 공유, 소통에 대한 물음", 철학과 현실, (58), pp.145~154 (2003), 보험법연구회
  37. 장영석, "중국국유기업 개혁과 노동자 저항의 논리", 중소연구, 28(1), pp.13~38 (2004), 아태지역연구센터
  38. 苑英奕, "“저층”의 현실을 돌파하는 두 가지 시선 - 曹征路 소설과 조세희 소설에 대한 비교", 중국문학, 56, pp.375~392 (2008), 한국중국어문학회
  39. 최재용, "중국 현대문학의 저층서사 속에 나타나는 ‘가족’의 의미에 대한 연구", 중국현대문학, (65), pp.1~33 (2013), 한국중국현대문학학회

관련 논문AI추천

이 간행물의 다른 논문 (9건)