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陳映真 초기 소설에서 좌절과 절망의 의미 — 서사구조분석을 중심으로

The Meaning of Frustration and Despair in the Early Novels of Chen Yingzhen: Through Analysis of Narrative Structure

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주제분류중국어와문학

초록

Taiwan, which had an opportunity for post-war self-development, lost it in the process of politicization by the National Party. Chen Yingzhen spoke out on Taiwanese society at a time when the strong rule of the Kuomintang politically replaced Japan and the economic development of capitalism gradually expanded. Taiwan, which had been opened for a while as the post-war Japan went out, became a closed society again, and in this situation, the practice of reopening the closed was compelled to start with confirming the subject. Chen Yingzhen started this not with criticism and enlightenment of the public, but with the work of confirming the identity of those who are mentally awake and want to reform Taiwan. In a desperate situation where the awakened person's ideals and reforms were rejected by the public, he tried to overcome this by revealing the image of a rather frustrated person. The situation in which modernity must be planned and realized, and the situation in which a huge entity who tries to dominate people competes or dominates is similar to the situation in which the narrative of reconstruction of nationality in 5.4 was born. Chen Yingzhen transformed this while using the narrative of the enlightenmentist and the foolish crowd. While the narrative of the transformation of nationality focused on the criticism of the ignorance of the public, he presented the ideal and revealed the problems of reformers who tried to change morality. Prior to the criticism of the ignorant public, the awakened people paid attention to their own original sin-like helplessness, immorality, and unethicality. This confirmation of self-identity creates an opportunity for reflection by questioning those who present the ideal rather than the presentation of the ideal, thereby opening the possibility of renewal. This can be seen as a struggle to avoid falling into despair by those who have just started to speak out in society in a situation where the political and ideological repression of the National Party is intensifying. It will be necessary to reconsider the direction in which his convictions and practices were made after recognition and self-confirmation of his situation during this period.

Abstract

Taiwan, which had an opportunity for post-war self-development, lost it in the process of politicization by the National Party. Chen Yingzhen spoke out on Taiwanese society at a time when the strong rule of the Kuomintang politically replaced Japan and the economic development of capitalism gradually expanded. Taiwan, which had been opened for a while as the post-war Japan went out, became a closed society again, and in this situation, the practice of reopening the closed was compelled to start with confirming the subject. Chen Yingzhen started this not with criticism and enlightenment of the public, but with the work of confirming the identity of those who are mentally awake and want to reform Taiwan. In a desperate situation where the awakened person's ideals and reforms were rejected by the public, he tried to overcome this by revealing the image of a rather frustrated person. The situation in which modernity must be planned and realized, and the situation in which a huge entity who tries to dominate people competes or dominates is similar to the situation in which the narrative of reconstruction of nationality in 5.4 was born. Chen Yingzhen transformed this while using the narrative of the enlightenmentist and the foolish crowd. While the narrative of the transformation of nationality focused on the criticism of the ignorance of the public, he presented the ideal and revealed the problems of reformers who tried to change morality. Prior to the criticism of the ignorant public, the awakened people paid attention to their own original sin-like helplessness, immorality, and unethicality. This confirmation of self-identity creates an opportunity for reflection by questioning those who present the ideal rather than the presentation of the ideal, thereby opening the possibility of renewal. This can be seen as a struggle to avoid falling into despair by those who have just started to speak out in society in a situation where the political and ideological repression of the National Party is intensifying. It will be necessary to reconsider the direction in which his convictions and practices were made after recognition and self-confirmation of his situation during this period.

참고문헌 (14)

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  7. 張楠, "扭曲的鏡子――試論陳映真小說中的“我”", 牡丹, (17) (2018)
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  11. 연광석, "陳映眞 문학 사상이 분단 한국에 주는 참조적 의의", 중국현대문학, (80), pp.21~48 (2017), 한국중국현대문학학회
  12. 양태근, "사라지는 것과 사라지지 않는 것― ‘대만문학사’ 서술 속의 陳映眞", 중국현대문학, (86), pp.101~140 (2018), 한국중국현대문학학회[DOI]
  13. 陳芳明, "타이완신문학사" (2019), 학고방
  14. 로이스 타이슨, "비평이론의 모든 것" (2012), 앨피

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