The Transcultural Memoryscape of Tiananmen
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
This paper examines the interface between the physical space and the collective memory of Tiananmen by encompassing memory studies, international relations, media and cultural studies. By employing the spatial term of “scape,” I stress the sociocultural process of producing memory and the dialectical relationship between media and space. Rather than repeating the forgetting/remembering or silencing/voicing dyad, it focuses on the “moment” of intense memory production in the aftermath of the 1989 crackdown. The post-Tiananmen phase was also the post-Cold War era and the transnational mapping of collective memories of Tiananmen shows the shared memory frame of purity and mnemonic collaboration of international communities. This study surveys movies and research articles on Tiananmen both from China, including Hong Kong, and North America, and examines The People’s Daily in order to see how the memoryscape of Tiananmen was formed. The protesters’ image was created in association with blood stains and rubbish in the aftermath of Tiananmen in China. The collective memory of Tiananmen was sanitised and sacralised to achieve an all-embracing totality.
Abstract
This paper examines the interface between the physical space and the collective memory of Tiananmen by encompassing memory studies, international relations, media and cultural studies. By employing the spatial term of “scape,” I stress the sociocultural process of producing memory and the dialectical relationship between media and space. Rather than repeating the forgetting/remembering or silencing/voicing dyad, it focuses on the “moment” of intense memory production in the aftermath of the 1989 crackdown. The post-Tiananmen phase was also the post-Cold War era and the transnational mapping of collective memories of Tiananmen shows the shared memory frame of purity and mnemonic collaboration of international communities. This study surveys movies and research articles on Tiananmen both from China, including Hong Kong, and North America, and examines The People’s Daily in order to see how the memoryscape of Tiananmen was formed. The protesters’ image was created in association with blood stains and rubbish in the aftermath of Tiananmen in China. The collective memory of Tiananmen was sanitised and sacralised to achieve an all-embracing totality.
참고문헌 (30)
- Appadurai, Arjun, "Modernity at Large: Cultural Dimensions of Globalization" (1996), The University of Minnesota Press
- Braester, Yomi, "The Spectral Return of Cinema: Globalization and Cinephilia in Contemporary Chinese Film", Cinema Journal, 55(1) (2015)
- Butler, Toby, "People and their pasts: public history today" (2009), Palgrave Macmillan
- Callahan, William A, "Sensible Politics: Visualizing International Relations" (2020), Oxford University Press
- Ezra, Elizabeth Ezra, "Posthuman memory and the re(f)use economy", French Cultural Studies, 25(3, pp.4) (2014), ~
- Gladney, Dru C, "Dislocating China: Muslims, Minorities and Other Subaltern Subjects" (2002), C. Hurst & Co
- "The Gate of Heavenly Peac" (1995)[URL]
- Hall, Stuart, "Viewing, reading, listening: Audiences and critical reception" (1994), Westview
- Hershkovitz, Linda, "Tiananmen Square and the Politics of Place", Political Geography, 12(5) (1993)
- Hillenbrand, Margaret, "Remaking Tank Man, in China", Journal of Visual Culture, 16(2) (2016)
- Hillenbrand, Margaret, "Negative Exposures: Knowing What Not to Know in Contemporary China" (2020), Duke University Press
- Ibrahim, Yasmin, "Tank Man, Media Memory and Yellow Duck Patrol: Remembering Tiananmen on social media", Digital Journalism, 4(5) (2016)
- Kansteiner, Wulf, "Finding Meaning in Memory: A Methodological Critique of Collective Memory Studies", History and Theory, 41(2) (2002)
- Lagerkvist, Johan, "The Mobilization of Memory and Tradition: Hong Kong’s Umbrella Movement and Beijing’s 1989 Tiananmen Movement", Contemporary Chinese Political Economy and Strategic Relations: An International Journal, 2(2) (2016)
- Lee, Chin-Chuan, "Symbolic Use ofDecisive Events: Tiananmen as a News Icon in the editorials of the elite U.S.press", International Journal of Press, 2011, pp.16(3), ~
- Lee, Francis, "General Transmission of Collective Memory about Tiananmen in Hong Kong: how Young Rally Participants Learn about and Understand 4June", Journal of Contemporary China, 22(4) (2013)
- Lee, Francis, "Collective Memory mobilization and Tiananmen commemoration in Hong Kong", Media, Culture & Society, 38(7) (2016)
- Lee, Haiyan, "The Charisma of Power and the Military Sublime in Tiananmen Square", The Journal of Asian Studies, 70(2) (2011)
- "Tiananmen Review" (2009)[URL]
- Lim, Jihyun, "기억전쟁" (2019), 휴머니스트
- Lim, Louisa, "The People’s Republic of Amnesia: Tiananmen Revisited" (2014), Oxford University Press
- Lou, Ye, "Summer Palace (頤和園)", ~ (2006)
- Lury, Celia, "Prosthetic Culture: Photography, Memory and Identity" (1998), Routledge
- "Renmin ribao (人民日報 The People’s Daily) 1 April—30 October 2020", ~ (2020)
- Song, Yunya, "‘Collective memories’ of global media events: Anniversary journalism of the Berlin Wall and Tiananmen crackdown in the Anglo-American elite press, 1990-2014", Journalism, 20(11) (2019)
- 윤영덕, "‘6·4천안문사건’에 대한 ‘역사적 기억’과 중국의 외교정책: 중국지도부의 상황 인식과 외교정책 변화를 중심으로", 민주주의와 인권, 10(2), pp.347~378 (2010), 5.18연구소
- "Sunrise over Tiananmen square" (1998)[URL]
- Xu, Bin, "Listening to thunder in the silence on Tiananmen:Politicsand ethics of the memory of the June Fourth Movement", China Information (2020)
- Ying, Yin, "Tiananmen (天安門)", ~ (2009)
- Zhang, Yuan, "The Square (廣場)", ~ (1994)