한영 다큐멘터리 번역의 내러티브 리프레이밍 —EBS 「천불천탑의 신비, 미얀마」를 중심으로
Narrative Reframing of Dubbed TV Documentary Translation from Korean to English
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This research studies framing strategies in the English version of dubbed Korean TV documentaries on shrines of Myanmar. It analyzes two episodes of TV documentary which were aired on Korea Educational Broadcasting System (EBS) in 2016 and their English versions. The documentary programs were exported to Smithsonian Channel in the United States. Drawing on Mona Baker’s narrative analysis model(2006) and Gérard Genette’s framing concept(1997), this study compares and examines images, narration text and captions and paratexts of Korean episodes and their translated English versions. The research results show that even though the images are same, the construction and contents of narratives are changed and reframed according to norms and ideology of target culture. For instance, the name of a country ‘Myanmar’ are all changed into ‘Burma’ in the episodes including titles. The English version holding the U.S. norm on the nation that most Americans are familiar with ‘Burma’ not ‘Myanmar.’ Also, Korean documentaries include a number of interviewees who are Asian professors, a chief monk, a librarian and so on. In English versions, however, only one interview with an Australian is the same with the original program and the other interviews are all deleted and substituted with another Westerner.
Abstract
This research studies framing strategies in the English version of dubbed Korean TV documentaries on shrines of Myanmar. It analyzes two episodes of TV documentary which were aired on Korea Educational Broadcasting System (EBS) in 2016 and their English versions. The documentary programs were exported to Smithsonian Channel in the United States. Drawing on Mona Baker’s narrative analysis model(2006) and Gérard Genette’s framing concept(1997), this study compares and examines images, narration text and captions and paratexts of Korean episodes and their translated English versions. The research results show that even though the images are same, the construction and contents of narratives are changed and reframed according to norms and ideology of target culture. For instance, the name of a country ‘Myanmar’ are all changed into ‘Burma’ in the episodes including titles. The English version holding the U.S. norm on the nation that most Americans are familiar with ‘Burma’ not ‘Myanmar.’ Also, Korean documentaries include a number of interviewees who are Asian professors, a chief monk, a librarian and so on. In English versions, however, only one interview with an Australian is the same with the original program and the other interviews are all deleted and substituted with another Westerner.
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