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문학 작품 속의 감정은유 번역 —개념적 은유 이론의 관점에서 본 ‘슬픔(哀)’과 ‘화(怒)’의 한영번역 양상을 중심으로

The translation of emotion metaphors in literary texts: Korean into English translation of ‘sadness’ and ‘anger’ from the perspective of conceptual metaphor theory

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참고문헌

키워드

주제분류통역번역학

초록

The purpose of this paper is to examine how negative emotion metaphors are conceptualized and translated in literary texts from Korean into English. It also tries to make a suggestion that a conceptual approach may contribute to the formulation of translation strategy for emotion metaphor. A brief discussion of previous and current views on metaphor establishes some perspective on the subject. The Conceptual Metaphor Theory presented by Lakoff and Johnson(1980) forms basic theoretical background for the paper. Lim(2006) and Kövecses(2000) provide further theoretical background as well as classifications of metaphor conceptualization in Korean and in English respectively. The conceptualization of ‘sadness’ and ‘anger’ in source texts and their renderings in target texts are compared in an attempt to identify significant features of emotion metaphor translation. The findings show that the metaphors are conceptualized and translated in three ways: mapping onto the same source domain as the source text, creating the same metaphorical image in ST and TT; mapping onto different source domain, creating different metaphorical image in ST and TT; and translating into paraphrased words instead of using the conceptual source domain. Based on the findings the paper came to a conclusion that conceptualizations of emotion metaphors onto the same source domain in ST and TT would contribute to transferring metaphoric image as well as its sense.

Abstract

The purpose of this paper is to examine how negative emotion metaphors are conceptualized and translated in literary texts from Korean into English. It also tries to make a suggestion that a conceptual approach may contribute to the formulation of translation strategy for emotion metaphor. A brief discussion of previous and current views on metaphor establishes some perspective on the subject. The Conceptual Metaphor Theory presented by Lakoff and Johnson(1980) forms basic theoretical background for the paper. Lim(2006) and Kövecses(2000) provide further theoretical background as well as classifications of metaphor conceptualization in Korean and in English respectively. The conceptualization of ‘sadness’ and ‘anger’ in source texts and their renderings in target texts are compared in an attempt to identify significant features of emotion metaphor translation. The findings show that the metaphors are conceptualized and translated in three ways: mapping onto the same source domain as the source text, creating the same metaphorical image in ST and TT; mapping onto different source domain, creating different metaphorical image in ST and TT; and translating into paraphrased words instead of using the conceptual source domain. Based on the findings the paper came to a conclusion that conceptualizations of emotion metaphors onto the same source domain in ST and TT would contribute to transferring metaphoric image as well as its sense.

참고문헌 (19)

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  3. 임지룡, "‘기쁨’과 ‘슬픔’의 개념화 양상", 국어학, 37, pp.219~249 (2001)
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  12. 이균영, "어두운 기억의 저편"
  13. Ahn, Jung-hyo, "The Other Side of Dark Remebrance" (2002), Jimoondang
  14. 조세희, "난장이가 쏘아올린 작은 공" (2002), 이성과 힘
  15. Chun, Kyung-ja, "A Dwarf Launches a Little Ball" (2002), Jimoondang
  16. 조정래, "유형의 땅"
  17. Chun,Kyung-ja, "The Land of the Banished.Seoul:Jimoondang" (2001), Jimoondang
  18. 최인호, "깊고 푸른 밤"
  19. Bruce, "Deep Blue Night" (2002), Jimoondang

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