Locating Irish Drama Translation in Modern Korean Theater under Colonialism
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
This article is concerned with how translation is formed as a site of resistance and subversion in colonial contexts. Like other social practices in Bourdieu's terms, translation practice can be explained only when we understand the interplay between objective external structures (objective social structures and what Bourdieu calls the fields) and subjective internal structures (the producing agents and what Bourdieu calls 'habitus'). Drawing on Bourdieu's theory of social practice, this article attempts to explain translation practice as the interaction between external and internal structures. Using examples from Irish drama translated in colonial Korea from the 1920s to the 1930s, this article analyzes the process of formation of Irish drama as a site of subversion in modern Korean theater. It first looks at Irish drama translation in colonial Korea, then examines the resistant and subversive field of the modern Korean theater. Thirdly, it discusses the representation of the Irish dramatic movement in colonial Korea, which influenced drama translators and ultimately conditioned Irish drama translation. Finally it deals with social trajectories (as a series of positions successively occupied in translation field or adjacent fields) of Irish drama translators which reveal the influence on their choice of Irish playwrights.
Abstract
This article is concerned with how translation is formed as a site of resistance and subversion in colonial contexts. Like other social practices in Bourdieu's terms, translation practice can be explained only when we understand the interplay between objective external structures (objective social structures and what Bourdieu calls the fields) and subjective internal structures (the producing agents and what Bourdieu calls 'habitus'). Drawing on Bourdieu's theory of social practice, this article attempts to explain translation practice as the interaction between external and internal structures. Using examples from Irish drama translated in colonial Korea from the 1920s to the 1930s, this article analyzes the process of formation of Irish drama as a site of subversion in modern Korean theater. It first looks at Irish drama translation in colonial Korea, then examines the resistant and subversive field of the modern Korean theater. Thirdly, it discusses the representation of the Irish dramatic movement in colonial Korea, which influenced drama translators and ultimately conditioned Irish drama translation. Finally it deals with social trajectories (as a series of positions successively occupied in translation field or adjacent fields) of Irish drama translators which reveal the influence on their choice of Irish playwrights.
참고문헌 (38)
- An,Yong-sun, "Aeran Hyeondae Geukjakga Dunsanyron (An Essay on Contemporary Irish Dramatist: Lord Dunsany). Joseon Ilbo Daily. 13th -17th May", ~ (1933)
- Bak, Byeong-gyu, "Hanguk Inmul Daesajeon (The Encyclopaedia of Korean People)" (1999), Seoul: The Academy of Korean Studies
- Bak,No-gap, "J.M Syngejak: 'Seobu ui Chonga' Yeongu (A Study on The Playboy of the Western World). Joseon Jungang Ilbo Daily. 20th -26th July", ~ (1933)
- Bassnett,Susan, "Translation Studies" (2002), London: Routledge
- Bassnett,Susan, "The Meek or the Mighty: Reappraising the Role of the Translator", pp.10~24 (1996), Clevedon: Multilingual Matters
- Bentley,Eric, "The Theory of the Modern Stage" (1992), London: Penguin Books
- Bourdieu,Pierre, "In Other Words: Essays Towards a Reflexive Sociology" (1990), Standford: Standford Univ. Press
- Bourdieu,Pierre, "Language and Symbolic Power" (1991), Cambridge: Poly Press
- Buzelin,Hlne, "Unexpected Allies: How Latour's Network Theory Could Complement Bourdieusian Analyses in Translation Studies", The Translator, 11(2), pp.193~218 (2005)
- Cho,Dong-Il, "Korean Literature in Cultural Context and Comparative Perspective" (1997), Seoul: Jipmoondang
- Cho, Oh-kon, "Traditional Korean Theater" (1988), Berkeley: Asian Humanities
- Cronin,Michael, "History, Translation, Postcolonalism" (2000), Ottawa: University of Ottawa Press
- Deane,Seamus, "Introduction." Nationalism, Colonialism and Literature" (1990), University of Minnesota Press
- Eckert,Carter J., "KOREA. Old and New, A History" (1990), Seoul: Ilchokak
- Gim,Byeong-cheol, "Hanguk Geundae Byeonyeok Munhaksa (The Modern Korean Translation History), 2nd edition" (1988), Seoul: Eulyu Munhwasa
- Gim,Gwang-seop, "Aeran Minjokmunhak Geonseolja: W. B. Yeats (W.B. Yeats - The Founder of the Irish National Literature)", pp.225~229 (1934), Samcheolli
- Gim,Gwang-seop, "Aeran Minjokgeuk ui Surip: Abbeyjwa reul Jungsimeuro haya (The Establishment of Irish National Theater: the Abbey Theatre). The Dong-A Ilbo. 3rd January", ~ (1935)
- Gim,Gwang-seop, "Aeran Yeongeuk Undong Sogwan: Abbeyjwa reul?Jungsimsama (A Brief Introduction to the Modern Irish Dramatic Movement: The Abbey Theatre)", pp.254~259 (1936), Samcheolli
- Gim,U-jin, "'Sowi Geundaegeuk e Daehayeo (About the So-called Modern Drama)", Hakjigwang, 22, pp.67~71 (1921)
- Gim,Yeon-su, "Geukdan Yahwa (Fire-side Stories about Korean Theater World) Daehan Maeil Sinbo Daily. 22-30 May", 22~30 (1931)
- Gouanvic,Jean-Marc, "A Bourdieusian Theory of Translation, or the Coincidence of Practical Instances", The Translator, 11(2), pp.147~166 (2005)
- Han, Hyo, "Joseon Yeongeuksa Gaeyo (The Outline of Joseon Theater History)" (1956), Pyeongyang: National Publishers
- Hanna,Sameh F., "Hamlet Lives Happily Ever After in Arabic: The Genesis of the Field of Drama Translation in Egypt", The Translator, 11(2), pp.167~192 (2005)
- Hermans,Theo, "Translation in Systems" (1999), Manchester: St. Jerome
- Jang,Won-Jae, "Irish Influences on Korean Theater during the 1920s and 1930s", 박사, pp.2000
- Jenkins,Richard, "Pierre Bourdieu. revised edition" (2002), London and New York: Routledge
- Jeong,In-seop, "Aeran Bangmungi 2 (A Visit to the Irish Literary World 2)", Samcheolli Munhak 4. 124-144, 4, pp.124~144 (1938)
- 김재석, "일본의 「축지소극장」이 한국 연국에 미친 영향 연구", 어문학, 73(73), pp.287~316 (2001), 한국어문학회
- Kwon,Youngmin, "Hanguk Hyeondae Munhak Daesajeon (The Encyclopedia of Modern Korean Literature)" (2004), Seoul: Seoul National Univ.
- Lefevere,Andr?, "Translation Practice(s) and the Circulation of Cultural Capital. Some Aeneids in English, Constructing Cultures", pp.41~56 (1998), Clevedon: Multilingual Matters
- Rubin,Don, "The World Encyclopedia of Contemporary Theatre: Europe Vol 1" (1994), London and New York: Routledge
- Simeoni,Daniel, "The Pivotal Status of the Translator's Habitus", Target, 10(1), pp.1~39 (1998)
- Thompson, John B., "Editor's Introduction", pp.1~31 (1991), Cambridge: Poly Press
- Yi, Hyo-seok, "John Millington Synge ui Geuk Yeongu (A Study on John Millington Synge's Drama)", Daejung Gongron, 2(2), pp.140~14 (1930)
- Yu, Chi-jin, "Nodongja Chulsin uk Geukjakga Sean O'Casey?(Sean O'Casey, A Playwright from Working Class), Joseon Ilbo Daily, 3rd -27th December", ~ (1932)
- Yu,Chi-jin, "Segye Yeoryu Geukjangin Sulrye: Aeran ui Eomeoni Gregory Buin (An Introduction of Female Figures in the World Theater; Lady Gregory, Mother of Ireland), Joseon Ilbo Daily.?16th March", ~ (1932)
- Yu,Min-yeong, "Hanguk Yeongeuk Undongsa (The History of Korean Theater Movement)" (2001), Seoul: Taehaksa
- Yu, Min-yeong, "Hanguk Inmul Yeongeuksa 2 (People in Korean Theater World 2)" (2006), Seoul: Taehaksa