The Influence of Irish Plays on the Formation of Modern Korean Theatre in Intercultural Characteristics
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
This essay examines the characteristics and meaning of modern theatre in Korea during the 1920s-30s, tracing the historical background and the playwrights’ works in the period especially focusing on the influence of the Irish plays on Korean modern theatre in terms of interculturalism. First, by examining the influence of Irish plays on the development of the Korean modern theatre, I argue that there is a very important difference between the attitudes of Korean intellectuals and other Asian intellectuals in accepting the Western modern theatre. And I also look at the influence of the Irish playwrights in the works of Yu Chi-Jin and Ham Se-deok. Deeply interested in the Dramatic Movement in Ireland, they utilized in their works the dramatic features and the dramaturgy of John Millington Synge and Sean O’Casey. This essay studies the reception of Irish plays by the Korean playwrights and their response to the political and social value of that time as well.
Abstract
This essay examines the characteristics and meaning of modern theatre in Korea during the 1920s-30s, tracing the historical background and the playwrights’ works in the period especially focusing on the influence of the Irish plays on Korean modern theatre in terms of interculturalism. First, by examining the influence of Irish plays on the development of the Korean modern theatre, I argue that there is a very important difference between the attitudes of Korean intellectuals and other Asian intellectuals in accepting the Western modern theatre. And I also look at the influence of the Irish playwrights in the works of Yu Chi-Jin and Ham Se-deok. Deeply interested in the Dramatic Movement in Ireland, they utilized in their works the dramatic features and the dramaturgy of John Millington Synge and Sean O’Casey. This essay studies the reception of Irish plays by the Korean playwrights and their response to the political and social value of that time as well.
참고문헌 (38)
- Ayling, Ronald, "Sean O’Casey: Modern Judgments", pp.68~78 (1969), Macmillan
- Breen, Michael, "Inter-Korean summit and years of Sunshine policy", The Korea Times, ~ (2010)
- Chae, Se-mi, "A Study on the Acceptance of Shamanism in Korean Modern Drama" (2002), Purunsasang
- Fischer-Lichte, Erika, "The Dramatic Touch of Difference" (1990), Narr
- Gassner, John, "The Reader’s Encyclopedia of World Drama" (2002), Courier Corporation
- Ham, Se-deok, "Selected Plays: Ham Se-deok" (1989), Semunsa
- Jang, Won-Jae, "Korean Drama in Modern Times and the characteristics of Korean modern drama movement", Korean Literature and Art, 4, pp.81~140 (2009)
- 장원재, "상호문화주의(Interculturalism)와 한국적 특수성-한국 근대극 운동을 중심으로", 한국문학이론과 비평, 7(2), pp.273~300 (2003), 한국문학이론과비평학회
- 장원재, "숀 오케이시(Sean O'Casey)와 유치진(柳致眞)의 영향관계 연구 -유치진의 평문 「숀 오케이시와 나: 내가 사숙하는 내외 작가」를 중심으로", 국제어문, (32), pp.265~295 (2004), 국제어문학회
- 장원재, "J. M. Synge's Riders to the Sea and Its Korean Translation", 한국 예이츠 저널, 24, pp.163~186 (2005), 한국예이츠학회
- Kim, Inpyo., "A Comparative Study on J. M. Synge and Ham Se-deok: The Effect of Riders to the Sea on Sanheoguri and Mooudo Gihang", The Journal of Modern English Drama, 4, pp.71~93 (1995)
- Kim, Gwang-seop, "The Establishment of the Abbey Theatre and its Contribution to the Nation", Dong-A Ilbo 8 Mar. 1995, ~ (1995)
- 김소임, "The Playboy of the Western World: 영웅과 여성, 옛 이야기 다시쓰기", 현대영미드라마, 17(3), pp.47~75 (2004), 한국현대영미드라마학회
- Krause, David, "Sean O’Casey. The Man and His work" (1975), Macmillion
- Min, Byung-Wook, "The Drama Movement of Korean Residents in Japan during the Japanese Colonial" (2000), Drama and Human
- Lee, Mi-Won, "A Study on Korean Modern Drama" (1994), Contemporary Arts
- 이상우, "유치진 연극론의 성립과정과 그 특징", 인문사회과학연구, 15(3), pp.83~111 (2014), 인문사회과학연구소[DOI]
- O’Casey, Sean, "Three Dublin Plays: The Shadow of a Gunman, Juno and the Paycock, The Plough and the Stars" (1998), Faber and Faber
- Pavis, Patrice, "The Intercultural Performance Reader" (1996), Routledge
- "The Routledge Dictionary of Performance and Contemporary Theatre" (2016), Routledge
- 이보라, "The Mind and the Art of Yeats in Cathleen Ni Houlihan and Lady Gregory and John Synge", 한국 예이츠 저널, 52, pp.41~56 (2017), 한국예이츠학회[DOI]
- 이영석, "Reading the Poetics of J. M. Synge: Nature and Poetry in The Aran Islands and Riders to the Sea", 한국 예이츠 저널, 42, pp.179~195 (2013), 한국예이츠학회[DOI]
- Rimer, J Thomas, "Toward a Modern Japanese Drama: Kishida Kunio" (1974), Princeton UP
- Schechner, Richard, "Performance Studies An Introduction" (2013), Routledge
- Seo, Yeon-ho, "The History of Korean Drama" (2003), Drama and Human
- 손동호, "숀 오케이시의 『총잡이의 그림자』에 나타난 영웅찾기의 아이러니", 세계문학비교연구, (57), pp.157~183 (2016), 세계문학비교학회
- Song, Sun-ho, "Korean Drama and the Acceptance of Realism" (2016), Dahae
- Synge, John M, "Collected Works III: Plays I" (1968), Oxford UP
- Trotter, Mary, "Ireland’s National Theaters: Political Performance and the Origin of the Irish Dramatic Movement" (2001), Syracuse UP
- Watson, George, "Irish Identity and the Literary Revival: Synge, Yeats, Joyce and O’Casey" (1994), The Catholic U of America Press
- Whyman, Rose, "Anton Chekhov" (2011), Routledge
- Yang, Seung-Guk, "A Study on the History of Korean Modern Drama Criticism" (1996), Taehaksa
- Yu, Chi-Jin, "Sean O’Casey and I: The Playwright who guided my way", Dongailbo, 7 July. 1935, ~ (1935)
- Yu, Chi-Jin, "Korean Language and Korean Literature: the Position of the Korean Language that Dramatic Literature Requires", Dong-A Ilbo 4 Jan. 1938, ~ (1938)
- Yu, Chi-Jin, "The Complete Works of Yu Chi-Jin 9" (1993), Seoul Institute of the Arts UP
- Yu, Min-Young, "The History of Korean Modern Drama" (1996), Dankook UP
- Yu, Min-Young., "Dongrang Yu Chi-Jin, The Father of Korean Theater" (2015), Taehaksa
- Yun, Hunam, "Appropriations of Irish Drama by Modern Korean Nationalist Theatre: a focus on the influence of Sean O’Casey in a colonial context", pp.2010