(곁)텍스트에서 번역자의 목소리 찾기 —『목로주점』의 자유간접화법 번역의 경우
Looking for Translators’ Voices in the Translated texts and their Paratexts —the Case of the Translations of Free Indirect Discourse in L’Assommoir
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In this article, I have tried to find the translators’ voices which exist in the translated texts of free indirect discourse in L’Assommoir. Translating a text is a process of interpretation. Before translating an original text, the translator is, first of all, its reader and creates his translation from his interpretation. As a result, the translation includes the translator’s voice. Nevertheless, people often think that there is only one author in a translated text, the author of the original text. But, in fact, there is also the translator’s voice, which corresponds to the actual author of the translated text. I have therefore compared the original text of L’Assommoir, its translations and the paratexts of these translations in order to listen to the translator's voices on the free indirect discourse of this novel. First, to clearly listen to the voices of translators on the free indirect discourse in L’Assommoir, I consulted their ideas about free indirect discourse in the paratexts of translators, such as academic journals and translator's prefaces. Then, to perceive the latent voices of the translators in the translated texts, I compared the translated forms of free indirect discourse.
Abstract
In this article, I have tried to find the translators’ voices which exist in the translated texts of free indirect discourse in L’Assommoir. Translating a text is a process of interpretation. Before translating an original text, the translator is, first of all, its reader and creates his translation from his interpretation. As a result, the translation includes the translator’s voice. Nevertheless, people often think that there is only one author in a translated text, the author of the original text. But, in fact, there is also the translator’s voice, which corresponds to the actual author of the translated text. I have therefore compared the original text of L’Assommoir, its translations and the paratexts of these translations in order to listen to the translator's voices on the free indirect discourse of this novel. First, to clearly listen to the voices of translators on the free indirect discourse in L’Assommoir, I consulted their ideas about free indirect discourse in the paratexts of translators, such as academic journals and translator's prefaces. Then, to perceive the latent voices of the translators in the translated texts, I compared the translated forms of free indirect discourse.
참고문헌 (12)
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- 박선희, "문학 번역에서 자유간접화법, 어떻게 번역할 것인가?", 번역학연구, 16(5), pp.39~60 (2015), 한국번역학회[DOI]
- 박선희, "『목로주점』의 자유간접문체 번역에 관한 비평적 분석", 불어불문학연구, (108), pp.95~124 (2016), 한국불어불문학회
- 윤진, "낯섦의 번역, 번역의 낯섦 - 에밀 졸라의 『목로주점』번역 읽기", 불어불문학연구, (84), pp.325~366 (2010), 한국불어불문학회
- 유기환, "자연주의 소설로서의 『목로주점』의 현대성 - 과학과 언어", 프랑스학연구, (59), pp.195~218 (2012), 프랑스학회
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- Genette, Gerard, "Seuils" (1987), Editon du Seuil
- Hermans, Theo, "The Translator's Voice in Translated Narrative", Target, 8(1), pp.23~48 (1996)
- Lips, Marguerite, "Le style indirect libre" (1926), Payot
- Maingueneau, Dominique, "Manuel de linguistique pour les textes littéraires" (2010), Armand Colin
- Niess, Robert J., "Remarks on the “Style Indirect Libre” in “L’assommoir”", Nineteenth-Century French Studies, 3, pp.124~135 (1974)
- Pascal, Roy, "The Dual Voice" (1977), Manchester UP