페미니즘 소설 번역에 나타난 내러티브 리프레이밍: <82년생 김지영>의 중역본(中譯本)을 중심으로
Narrative Reframing in Translating Feminist Novel: Analysis of Chinese Translation of Kim Jiyoung, Born 1982
1
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
Feminist novel features its tendency to critique gender inequality and misogyny. It generally promotes a very positive perspective of any type of female bonding, which supports the feminist goal of establishing equal civil and social rights for women. In this regard, Cho Nam-joo’s novel Kim Jiyoung, Born 1982 is widely perceived as a feminist novel. However, its Chinese translation was not introduced as a feminist novel. Considering that the political and social context in China has been unfavorable for feminism during the late 2010s, this paper focuses on the book’s different reception in China. From the late 2010s until now, feminism confronts grave challenges, as the authoritarian state has been hostile to feminism and openly conservative in its gender policy for reviving patriarchal order. Kim Jiyoung, Born 1982 and its Chinese translation are analyzed on the basis of narrative reframing. The analysis draws on the translated text material published in China. Such textual analysis is then combined with references to paratexts including the translator’s preface, literary reviews, and media reports. Narrative reframing is one of the good means to understand the social world around translation. Narrative theory and the notion of framing recognize the power of social structures, and explain translational choices in relation to wider social and political contexts (Baker 2007: 154-155). The empirical analysis of the translated text of Chinese translation of Kim Jiyoung, Born 1982 and the paratexts illustrates that the feminist narrative of the original text was undermined in the translation. Through the narrative reframing, feminist narrative was changed into Kim Jiyoung’s ontological narrative, emphasizing her life story. The particular aspects in the feminist narrative were suppressed and deleted. Issues discussed include gender inequality, misogyny, and female bonding. This kind of narrative reframing is related to the views and interests of power groups in China. In the context of a severe backlash against feminism in China, the Chinese government has promoted a public discourse of femininity by rearranging gender practices, which lead to conflict with feminism. This case study demonstrates that translation is a kind of invisible act of control deeply grounded in the political and social context of the target language.
Abstract
Feminist novel features its tendency to critique gender inequality and misogyny. It generally promotes a very positive perspective of any type of female bonding, which supports the feminist goal of establishing equal civil and social rights for women. In this regard, Cho Nam-joo’s novel Kim Jiyoung, Born 1982 is widely perceived as a feminist novel. However, its Chinese translation was not introduced as a feminist novel. Considering that the political and social context in China has been unfavorable for feminism during the late 2010s, this paper focuses on the book’s different reception in China. From the late 2010s until now, feminism confronts grave challenges, as the authoritarian state has been hostile to feminism and openly conservative in its gender policy for reviving patriarchal order. Kim Jiyoung, Born 1982 and its Chinese translation are analyzed on the basis of narrative reframing. The analysis draws on the translated text material published in China. Such textual analysis is then combined with references to paratexts including the translator’s preface, literary reviews, and media reports. Narrative reframing is one of the good means to understand the social world around translation. Narrative theory and the notion of framing recognize the power of social structures, and explain translational choices in relation to wider social and political contexts (Baker 2007: 154-155). The empirical analysis of the translated text of Chinese translation of Kim Jiyoung, Born 1982 and the paratexts illustrates that the feminist narrative of the original text was undermined in the translation. Through the narrative reframing, feminist narrative was changed into Kim Jiyoung’s ontological narrative, emphasizing her life story. The particular aspects in the feminist narrative were suppressed and deleted. Issues discussed include gender inequality, misogyny, and female bonding. This kind of narrative reframing is related to the views and interests of power groups in China. In the context of a severe backlash against feminism in China, the Chinese government has promoted a public discourse of femininity by rearranging gender practices, which lead to conflict with feminism. This case study demonstrates that translation is a kind of invisible act of control deeply grounded in the political and social context of the target language.
참고문헌 (48)
- 강경아, "페미니즘" (2018), 신사책방
- 김미지, "『82년생 김지영』(2016)과 겹쳐 읽은 『무소의 뿔처럼 혼자서 가라』(1993) - 페미니즘과 소설의 전략", 현대소설연구, (85), pp.5~35 (2022), 한국현대소설학회
- 김수진, "여성 혐오, 페미니즘의 새 시대를 가져오다", 교육문화비평, 38, pp.163~189 (2016)
- 김순미, "번역 텍스트 내의 정치적 내러티브 리프레이밍—CNN의 ‘아랍의 봄’ 보도 번역을 중심으로", 번역학연구, 14(2), pp.65~102 (2013), 한국번역학회[DOI]
- 김정선, "페미니즘 무엇이 문제인가" (1997), 문예출판사
- 김양선, "페미니즘 리부트와 ‘김지영’ 현상- 조남주, 『82년생 김지영』", 여성문학연구, (42), pp.283~287 (2017), 한국여성문학학회
- 김지영, "여성 없는 민주주의와 ‘K-페미니즘’ 문학의 경계 넘기 - 일본에서의 『82년생 김지영』 번역수용 현상을 중심으로 -", 日本學(일본학), 57, pp.199~231 (2022), 일본학연구소
- 김현, "여성혐오 담론의 경합과 공존: 소설 <82년생 김지영> 현상을 중심으로", 한국언론정보학보, (103), pp.83~111 (2020), 한국언론정보학회[DOI]
- 권김현영, "다시는 그전으로 돌아가지 않을 것이다" (2019), 휴머니스트
- 나일등, "여성 혐오를 혐오한다" (2012), 은행나무
- 마승혜, "페미니즘 시각에서 문학번역 다시 하기- 『작은 아씨들』 번역을 중심으로 현상 및 요인 분석", 통역과 번역, 22(1), pp.53~78 (2020), 한국통역번역학회[DOI]
- 박미정, "『82년생 김지영』의 페미니즘 문체 번역 - 여성 등장인물 ‘지칭어’ 어역 분석을 중심으로", 통번역학연구, 26(3), pp.25~55 (2022), 통번역연구소[DOI]
- 박민희, "중국딜레마" (2021), 한겨례출판
- 박성민, "행복한 감시국가, 중국" (2021), 눌와
- 박자영, "거리의 페미니스트는 어디로 가고 있는가 — 2010년대 이후 중국의 페미니즘", 문화과학, 104, pp.92~113 (2020)
- 엄혜진, "여성의 자기계발과 페미니즘의 불안한 결속: ‘82년생 김지영’에 대한 비판적 담론분석을 중심으로", 아시아여성연구, 60(1), pp.121~162 (2021), 아시아여성연구원
- 오길영, "페미니즘 소설의 몇 가지 양상", 황해문화, pp.335~346 (2018)
- 윤승리, "빅브라더에 맞서는 중국 여성들" (2020), 산지니
- 윤일환, "번역, 권력, 전복" (2008), 동인출판사
- 이나영, "여성혐오와 젠더차별, 페미니즘: ‘강남역 10번 출구’를 중심으로", 문화와 사회, 22, pp.147~186 (2016), 한국문화사회학회[DOI]
- 이범, "82년생 김지영 중국어 번역본의 페미니즘 번역에 대한 고찰-주변텍스트 및 인물 형상화를 중심으로-", 통역과 번역, 24(3), pp.89~124 (2022), 한국통역번역학회[DOI]
- 이상빈, "자막번역에 의한 여성 재현의 변이: 영화 <섹스 앤 더 시티 2>의 여성주의를 중심으로", 통번역학연구, 20(2), pp.59~80 (2016), 통번역연구소[DOI]
- 이상빈, "강남역 살인사건 이후 젠더", 여성, 통역과 번역, pp.2021, 23(1)[DOI]
- 이상빈, "인물형상화와 페미니즘 번역: 제임스 팁트리 주니어의 SF 소설 「휴스턴, 휴스턴, 들리는가?」를 중심으로", 번역학연구, 19(1), pp.147~176 (2018), 한국번역학회[DOI]
- 이선옥, "페미니즘 소설의 감정지도 그리기", 창작과 비평, 46(4), pp.324~343 (2018)
- 이혜승, "내러티브 프레이밍의 관점에서 분석한 The Great Escape: Health, Wealth and the Origins of Inequality 한국어 번역", 번역학연구, 20(1), pp.201~237 (2019), 한국번역학회[DOI]
- 정은경, "2010년대 여성담론과 그 적들 —‘돌봄’의 횡단과 아줌마 페미니즘을 위하여", 대중서사연구, 24(2), pp.97~125 (2018), 대중서사학회[DOI]
- 조남주, "82년생 김지영" (2017), 민음사
- 조영남, "중국의 통치체제 2 — 공산당 통제 기제" (2022), 21세기북스
- 조정원, "중국 출판정책의 특성과 변화 : 13차 5개년 규획, 14차 5개년 규획 기간을 중심으로", 한국출판학연구, 48(4), pp.107~146 (2022), 한국출판학회[DOI]
- 최예열, "『82년생 김지영』의 가부장제 비판과 저항의 의미", 인문과 예술, (9), pp.167~184 (2020), 인문예술학회[DOI]
- 한담, "소설 『82년생 김지영』을 거울로 비춰 본 중국 ‘바링허우’ 여성의 삶과 문화적 재현", 중국어문학논집, (122), pp.297~323 (2020), 중국어문학연구회
- Baker, Mona, "Translation and Conflict" (2006), Routledge
- Baker, Mona, "Reframing Conflict in Translation", Social Semiotics, 17(2), pp.1~20 (2007)
- Basu, Amrita, "Women’s Movements in the Global Era" (2017), Routledge
- Boukhaffa, Abderrahman, "Narrative Reframing in Translating Modern Orientalism — A Study of the Arabic Translation of Lewis’s The Crisis of Islam : Holy War and Unholy Terror", The Translator, 24(2), pp.166~182 (2018)
- Tyulenev, Sergey, "Translation and Society" (2014), Routledge
- Wang, Qi, "From Non-governmental Organizing to Outer-system — Feminism and Feminist Resistance in Post-2000 China", NORA-Nordic Journal of Feminist and Gender Research, 26(4), pp.260~277 (2018)
- Xiao, Di, "Reconstructing a Narrative, Reinterpreting a History — A Case Study of Translating Big Breasts and Wide Hips", Asia Pacific Translation and Intercultural Studies, 2(3), pp.155~173 (2015)
- 尹嘉玄, "82年生的金智英" (2019), 貴州人民出版社
- "세계가 공감한 김지영" (2019)[URL]
- "82년생 김지영처럼" (2019)[URL]
- "조남주, 알고보니 나도 김지영이었다" (2019)[URL]
- "82년생 김지영, 한국 여성이 처한 곤경의 축소판" (2019)[URL]
- "82년생 김지영, 평범한 모든 여성의 성장 스토리" (2019)[URL]
- "공감을 불러온 82년생 김지영, 중국의 기혼여성들은 무엇을 경험하고 있을까?" (2020)[URL]
- "82년생 김지영, 여성이 왜 자기자신이 되기 어려운지 말하다" (2019)[URL]
- "국립국어원 표준국어대사전"[URL]