아동문학 번역서의 대상 독자 변경: 『마당을 나온 암탉』의 한영번역 사례를 중심으로
Translating children’s literature for new audiences: A case study of The Hen Who Dreamed She Could Fly
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This study examines Chi-Young Kim’s translation of “Madang eul naon amtak” (The Hen Who Dreamed She Could Fly), a renowned work by South Korean author Hwang Sun-mi. Originally written as children’s literature, the Korean text was adapted into an English literary work targeting adult readers. Published by Penguin Classics, a leading publisher of adult literature, the translation incorporates features intended to appeal to an adult audience. Using the skopos framework, this study analyzes the original and translated texts, focusing on both textual features (e.g., sentence lengths and onomatopoeic expressions) and peritextual elements (e.g., cover art and author presentation). The findings reveal that some of the author’s distinctive styles, such as the use of short sentences, have been lost in translation, with paragraphs restructured and lengthened to cater to an adult readership. However, some peritextual features of the translation, including blurbs and endorsements, demonstrate that the translation retains traces of its origins as a children’s book. This study highlights the potential of Korean children’s literature to reach new international readerships through strategic adaptations.
Abstract
This study examines Chi-Young Kim’s translation of “Madang eul naon amtak” (The Hen Who Dreamed She Could Fly), a renowned work by South Korean author Hwang Sun-mi. Originally written as children’s literature, the Korean text was adapted into an English literary work targeting adult readers. Published by Penguin Classics, a leading publisher of adult literature, the translation incorporates features intended to appeal to an adult audience. Using the skopos framework, this study analyzes the original and translated texts, focusing on both textual features (e.g., sentence lengths and onomatopoeic expressions) and peritextual elements (e.g., cover art and author presentation). The findings reveal that some of the author’s distinctive styles, such as the use of short sentences, have been lost in translation, with paragraphs restructured and lengthened to cater to an adult readership. However, some peritextual features of the translation, including blurbs and endorsements, demonstrate that the translation retains traces of its origins as a children’s book. This study highlights the potential of Korean children’s literature to reach new international readerships through strategic adaptations.
참고문헌 (27)
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