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15세기–19세기 발레 의상

Ballet Costume of 15C-19C

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초록

The style of costumes which dancers put on for dancing on a stage reflects the times, culture, and traditionality of movements in dancing. Accordingly, everyday dresses are adopted as the stage costumes in some cases and stage costumes lead the trend in other cases. Furthermore, like stage costumes in other genres, dancing costumes put more emphasis on expressive features in the functions of clothing unlike everyday dresses. In particular, dancing costumes shall sufficiently and delicately express each movement using the costumes as well as rhythms and melodies of music for dance. Ballet which is the representative western dance was derived from the world “Ballare” meaning “dance” in Italian. As shown in the change of word, ballet started in Italy. In Italy taking initiatives for all artistic activities in Europe as leading Renaissance in the 15th century, ballet started as the court dance and favored by French. Then, ballet flourished in France and was developed to the Romantic ballet in the 19th century. During the Renaissance, the early stage of ballet development the dancers put on the dresses which were in fashion at that time on the stage. The dancing costumes added the decorative features suitable for the characteristics of main actors or actresses and contents of dances to the dresses in fashion at relevant times in 17th and 18th century. “Panier”, the dancing costume in the 18th century, was sensationally popular among women. As described above, the study on the features of dancing costumes by times not only arranges the costumes in each times but also investigates emotions and artistic and aesthetic values of those who lived in the relevant times. Furthermore, it is the way to experience the height of fantasy and beauty.

Abstract

The style of costumes which dancers put on for dancing on a stage reflects the times, culture, and traditionality of movements in dancing. Accordingly, everyday dresses are adopted as the stage costumes in some cases and stage costumes lead the trend in other cases. Furthermore, like stage costumes in other genres, dancing costumes put more emphasis on expressive features in the functions of clothing unlike everyday dresses. In particular, dancing costumes shall sufficiently and delicately express each movement using the costumes as well as rhythms and melodies of music for dance. Ballet which is the representative western dance was derived from the world “Ballare” meaning “dance” in Italian. As shown in the change of word, ballet started in Italy. In Italy taking initiatives for all artistic activities in Europe as leading Renaissance in the 15th century, ballet started as the court dance and favored by French. Then, ballet flourished in France and was developed to the Romantic ballet in the 19th century. During the Renaissance, the early stage of ballet development the dancers put on the dresses which were in fashion at that time on the stage. The dancing costumes added the decorative features suitable for the characteristics of main actors or actresses and contents of dances to the dresses in fashion at relevant times in 17th and 18th century. “Panier”, the dancing costume in the 18th century, was sensationally popular among women. As described above, the study on the features of dancing costumes by times not only arranges the costumes in each times but also investigates emotions and artistic and aesthetic values of those who lived in the relevant times. Furthermore, it is the way to experience the height of fantasy and beauty.

참고문헌 (17)

  1. 잭 앤더슨, "발레, 현대무용‒간추린 역사‒" (1998), 삶과 꿈
  2. A. H. Franks, "소셜댄스의 역사", pp.137~ (2008), 도서출판 금광
  3. George Sheringham, "Robes of Thespis", pp.105~ (1928), Ernest Benn
  4. James Laver, "Costume in the Theatre" (1964), George G. Harrap & CO.
  5. Marie Francoise Christout, "Histoire du Ballet" (1980), 白水社
  6. Peter williams, "Masterpieces of Ballet Design", pp.8~ (1981), Phaidon Press
  7. Cyril W. Beaumont, "Ballet Design past & present" (1946), The Studio
  8. 이희현, "발레의상에 관한 연구", 관대논문집, 12, pp.119~ (1984)
  9. Jean Georges Noverre, "Letters sur la Danse et ies Ballets", pp.19~ (1974), 富山房
  10. 메리 크라크, "그림으로 보는 발레역사", pp.45~ (2008), 도서출판 금광
  11. 존 마틴, "무용입문" (1994), 교학연구사
  12. 임두빈, "한 권으로 보는 서양 미술사 이야기", pp.276~ (2004), 가람기획
  13. 에드가 드가, "춤추는 여인", pp.40~ (2000), 창해
  14. Nancy Reynolds, "발레와 현대 무용‒안무가와 그 작품‒", pp.22~ (1997), 교학연구사
  15. 박경숙, "근대 발레사", pp.13~ (2005), 공주대학교 출판부
  16. 이은경, "발레이야기", pp.25~ (2008), 열화당

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