하체동작을 중심으로 살펴본 발레용어 원전原典 분석
An analysis of the original terminology of ballet based on lower body mouvement
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Ballet originated from France in the 17th century. During the reign of Louis XIV, ballet expanded to become what it is known as today throughout the world. However, to better understand ballet and its origins we must analyze the language and terminology of ballet. The analysis begins with dance baroque, and for this, we rely on the choreographic notation of R.-A. Feuillet and P. Rameau. This analysis allows us to clarify the origin of modern day ballet terms, and secondly to compare these with the terminology of the baroque dance. In studying these notations, it’s important to realize that there is more in the notation than purely descriptive body movement. There is an entire language, history and culture within the notation. Thus understanding the terminology of ballet is necessary not only for dancers practicing ballet, but also for spectators who can discover historic and cultural values within the language itself.
Abstract
Ballet originated from France in the 17th century. During the reign of Louis XIV, ballet expanded to become what it is known as today throughout the world. However, to better understand ballet and its origins we must analyze the language and terminology of ballet. The analysis begins with dance baroque, and for this, we rely on the choreographic notation of R.-A. Feuillet and P. Rameau. This analysis allows us to clarify the origin of modern day ballet terms, and secondly to compare these with the terminology of the baroque dance. In studying these notations, it’s important to realize that there is more in the notation than purely descriptive body movement. There is an entire language, history and culture within the notation. Thus understanding the terminology of ballet is necessary not only for dancers practicing ballet, but also for spectators who can discover historic and cultural values within the language itself.
참고문헌 (12)
- 장인주, "바로크무용의 예술적 가치 재조명을 위한 역사와 용어 연구", 무용예술학연구, 3, pp.131~150 (1999), 한국무용예술학회
- 장인주, "보샹-푀이예 무보법의 도상학적 해석", 무용역사기록학, 08(0), pp.187~210 (2005), 무용역사기록학회
- Bourcier, P., "Naissance du ballet" (1995), Librairie de la danse
- Challet-hass, J., "Terminologie de la danse classique" (1987), Ed.Amphora
- Chang, I. -J., "La danse de cour entre Orient et Occident", PhD, pp.1998
- Chang, D., "Oxford Dictionary of Dance" (2004), Oxford Univ. Press
- Feuillet, R. -A., "Chorégraphie ou l'art d'écriture la danse par caractères, figures et signes démonstratifs", chez R.-A. Feuillet
- Hilton, W., "Dance of Court & Theater -The Frence Noble Style 1690-1725" (1981), Dance Books Ltd
- Lancelot, F., "La Belle Danse - catalogue raisonné fait en l'an 1995" (1996), Van Dieren Editeur
- Le moal, P., "Dictionnaire de la Danse" (1999), Larousse
- Rameau, P., "Le Maître à danser", chez P. Rameau
- Schott-bourget, V., "Approches de la linguistique" (1994), Ed. Nathan