제품디자인에서 상징으로서 움직임- 미적 의미의 생산체계를 중심으로 -

Abstract

The purpose of his study is an attempt to establish Moving as the characteristic, aesthetic attribute structured into the products to a semiotic model that is to say, a Symbol. The extent of the research is limited to the dimension of the system producing an aesthetic meaning and The method is necessarily based on the research of the related references because this study is the distributive research to prescribe the moving as a symbol with appling the already established general system of semiotics to. The purpose of the moving is the lived experience for the emotion of sensual pleasure through the production and communication of the meaning. The aesthetic value is the what should be, basis, norm to make the moving studied in the semiotic dimension and the category to make it realized as the symbol. And also, prescribes the symbolization of users and limits the acting of life in the bases of this. The object of the symbol in the moving is the motion structured into the product and the motivation is the sense of Mom. Aesthetic perception is the code for the production and communication of the meaning in epistemological dimension. This is the inter-subjective and dependent syntagmatic system and process between the motion and sense. Accordingly as the principle of the symbolization, integrates organically, dialectically Difference and Similarity, Signifiant and Signifie, System and Usage, Synchronicity and Diachronicity. Based on the above, This researcher insist on the concept, function and role of the design in the products which the moving is structured into as the below. the moving as the symbol is an aesthetic acting itself users to keep existence and pursue cultural pleasure. It is insisted that product design is to produce various forms of this moving and is the symbolic actions to structure these into products.