기억을 주제로 한 현대 도자작품 연구

Abstract

Memory refers to the keeping or recalling of a previous impression or experience in a state consciousness. Memory arises from a group of people who share similar beliefs and interests called society. Society not only determines and sets the rules and what is considered the "norm" but establishes ideas on the understanding of time and space, and the different ways of communication such as language. In terms of individuals in the society, it can be said that the individual's memory and actions are influenced by the overall knowledge/ideas shared by the society. The process of giving meaning to the past always involves a specific social action called representation. Through the process of representation, they can escape wounds from the past, modify the present, and prepare for the future. Questions about memory from the point of view of representation should consider what its social function and effect are as a special content and form of the past. In terms of representation, questions about memory must consider what their social functions and effects are as a particular content and form of the past. The question of memory as a content begins with the consent of what are the specific past figures, events, places and times. The question of memory as a form is accompanied not only by text in the language, but also by discussions on various cultural forms, including various image media, space, buildings, paintings, sculptures, crafts and music. Let's take a look at the works of Grayson Perry, Cynthia Consentino and Judy Moonelis who worked on past memories. During the process of representation, the works which started off from their memories give a gift of healing to the writer, and the works completed in the representation give the viewer sympathy and comfort.