애니메이션 <뮨: 달의 요정>에서 영상 색채와 화면 구도의 미학

Abstract

IIn animation, color, shape, and screen composition are visual elements and play a very important role in describing emotional and psychological aspects. Therefore, it is necessary to look at the mise-en-scène of the screen which is analyzed in terms of visual aesthetics. This study analyzed the visual elements of the French animation <Moon: Guardian of the Moon>, which was nominated for various film festivals for its excellent visual beauty. This study applies color theory to analyze a character’s color and background, and tries to find implications for the scene through editing camera angles, shots, and screen composition. This will serve as a reference for creating new works. This study also adopts the theory of color scholars such as Birren, Kandinsky, Suenaga, and Arnheim and the construction theory of various scholars including Zettl. In the film, the Sun’s camp uses yellow as its primary color, which is very vivid, while the Moon's uses dark, cold blues and greens. In addition, lighting and shadows made fall-offs suitable for the camp, highlighting the emotional aspect, and the characters expressed their colors and personality well suited to each camp. The screen composition using the camera angle focused on expressing the psychological aspect to be expressed in the field, and the camera walking produced various scenes through following, panning, tilting, and zooming. Such bold directing may stimulate audiences’ imagination, and the rhymic couplets could express the beginning and end of this film well. The work tried to change the scene with various camera walking, and improved the visual beauty by melting the aesthetic method of directing a new scene into each element.