단색화 전통의 계승과 확장 - 마크 로스코와 하종현의 마주침, 그리고 <빛의 숭고>
Succession and Expansion of Korean Dansaekhwa - the encounter between Mark Rothko and Ha, Jonghyun, and <Sublimation of Light>
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초록
본 논문은 단색화가 추상표현주의의 영향을 받아 탄생하여 한국성의 대표적 미감으로 자리 잡게되기까지의 과정이 지니는 의미를 간략히 고찰하고, 단색화 전통의 확장 가능성에 대해 살펴보는것을 목표로 한다. 단색화는 한국의 대표적 추상미술이자 한국의 미감과 정서, 역사적 정체성을 드러내는 대표적인 미술로 평가받아 왔다. 본 논문은 단색화에 대한 재성찰이라는 최근의 경향을 수용하여, 단색화가 한국 미술계 내에서뿐만 아니라 20세기 현대미술의 지평에서 어떤 의미를 지니는지 그 의미를 확장하는데 의의를 둔다. 이를 위해 본 논문은 20세기 색면추상의 거장이었던 마크로스코(Mark Rothko)와 한국의 단색화가 하종현 작품의 특징을 살펴본 뒤, 이 두 작가의 영향을받아 단색화를 통해 숭고의 미학을 표현한 강묘수의 작품 세계를 고찰한다. 빛과 숭고를 탐색하는강묘수의 작품 세계는, 제한된 색채를 사용한 회화, 하종현을 계승하여 물성과 행위를 강조하는 작업 방식, 로스코와 마찬가지로 연극적 효과를 통해 작품과 관객 사이의 조우를 의도한다는 것으로요약될 수 있다. 세 작가의 작품 세계 특징을 순서대로 고찰함으로써, 색면추상과 단색화의 전통이현대미술의 지평 속에서 어떻게 이해될 수 있으며, 현재적 위치에서 확장 가능한지에 대해 가늠해볼 수 있을 것으로 기대된다.
Abstract
This paper aims to examine the significance of the process through which Dansaekhwa, influenced by abstract expressionism, emerged and established itself as a representative aesthetic of Koreaness. The goal is to explore the potential expansion of the monochromatic tradition. Dansaekhwa has been evaluated as a representative abstract art form, revealing the aesthetic, emotional, and historical identity of Korea. In particular, it investigates not only its significance within the Korean art world but also its reflection within the broader context of contemporary art in the 20th century. For this purpose, this paper aims to examine the characteristics of Dansaekhwa in Korea by exploring the work of Mark Rothko, a master of 20th-century color field abstraction, and Ha, Jonghyun, a prominent Korean monochromic artist. It also delves into the world of Kang, Myosoo’s artwork, which expresses the sublime aesthetic through Dansaekhwa, influenced by both of them. Kang Myosoo’s exploration of light and sublimation in her artwork can be summarized as utilizing a limited color palette in painting, inheriting the emphasis on materiality and action from Ha, Jonghyun, and intending to facilitate an encounter between the artwork and the viewer through dramatic effect just like Rothko. By sequentially examining the distinctive features of the artwork of these three artists, this study explores how the traditions of color field abstractions and Dansaekhwa are perceived within the horizon of contemporary art and assesses their potential for expansion in the current context.
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