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아프라시압 벽화를 통해 본 소그드인의 세계관과 미술

Life and Worldview of the Sogdians according to the Afrasyab Paintings

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초록

이 글은 사마르칸트의 아프라시압 벽화에 반영된 7세기 후반 소그디아나와 그 이웃 왕국들 간 의 관계에 초점을 맞추고 있다. 소그드 예술가들은 650년에서 675년으로 정확하게 편년되는 이 독특한 그림에서 돌궐인, 중국인, 한국인, 그리고 아마도 티베트인, 박트리아인 그리고 다른 중앙아 시아인들과 같은 여러 외국인들을 표현했다. 이들은 모두 학자들이 신년축제라고 생각하는 특별한 행사에 참여하기 위해 사마르칸트에 모였다. 수.당대의 중국 문헌 자료에는 소그드 왕이 매일 기 도를 올렸다고 하는 중부 소그디아나의 왕실 누각에 대해 언급하고 있다. 이런 정보는 아프라시압 에서잘보존된그림들과매우일치하는듯하다. 이글은네부분으로나뉘는데, 모두중국문헌에 서 언급되고, 그림과의 유사점이 제시된 왕국들에 해당한다.

Abstract

This article focuses on the relations between Sogdiana and neighboring kingdoms during the second half of the seventh century CE as reflected in the Afrasyab paintings (Samarkand). In this unique painted program to be precisely dated to the period btween 650-675, Sogdian artists represented several foreigners such as Turks, Chinese, Indians, Koreans, and-possibly- Tibetans, Bactrians, and other Central Asians. All these groups gathered in Samarkand on a special occasion that scholars identified as the celebration of the New Year festival. Chinese written sources of the Sui-Tang period mentioned a royal pavilion in central Sogdiana where the local king was used to pray every day. Such an information seems to match well with the paintings preserved in Afrasyab. The present paper is divided in four parts, each one dedicated to one of the kingdoms mentioned in Chinese sources that present some parallels in the paintings.

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