안동 지역에 투영된 陶淵明 형상 고찰

Abstract

The main building focuses on the intensive consideration of Taoyuanming's figures projected into the verses of various cultural heritages and writers found in the Andong area. First of all, among the famous places of Andong, ‘Giraejeong,’ ‘Imcheonggak,’and ‘Dosan-Seowon’ were all deeply related to Taoyuanming's ‘Yinyi’ In particular, Yi Gong, the son of Yi Meong, who founded Imcheonggak, built and hid Ban Gujeong, and Yi Yong, his son, Eo Eunjeong, and lived in hiding. The Andong area, as Taoyuanming did, was an important place to step down from office and form a silver lining. Particularly noteworthy, the ideological background of the monks who implemented the hiding in the Andong area was permeated with the shape of Taoyuanming. In fact, the important cultural assets of the Andong region, ‘Gwiraejeong,’ ‘Imcheonggak,’ ‘Bangujeong,’ ‘Eoeunjeong,’ and ‘Eunjaam,’ were all deeply related to the silver-day shape represented by Taoyuanming's ‘Guiqulaici.’ In addition, Nongam Yi Hyeon-bo and Toegye Yi Hwang practiced more directly with the admiration of Yinyi of Taoyuanming. In particular, in the poem created by Nongam and Toegye, the meaning of mourning for Taoyuanming was very directly revealed. Of course, it is easy to assume that this would have had a significant impact on the silver culture of the later Andong region.