김종삼 시의 소리지향성 연구

Abstract

This study is conducted to look into the directivity of sound in Kim Jong-sam’s poem. Such a viewpoint of work analysis is meaningful in that it aims at being out of the previously expected methodology and seeks for diversity of work analysis through acoustic abundant world,‘sound as a meaning’. Kim Jong-sam is a very important person to explain the development process of Korean poetry around the 1950s and the trend of modernism poetry. In particular, a poet’s inquiry for sound is a critical clue to examine his poetry world. To Kim Jong-sam, a poet is a listener before a view. In addition, a poet is a person who averts his eyes from a useless glimmer with a full of fake and listens to ‘a call of existence’hearing from somewhere. This study divides the directivity of sound in Kim Jong-sam’s poem largely into ‘hearing of sound’, ‘discord of sound’, and ‘harmony of sound’. Firstly, it means inner exploration, and what Kim Jong-sam captures is latent guilt inside a poet. Next, discord of sound can be a medium to form a poet’s tragic perception. The sound is always contrary to sound that a poet tries to pursue, and it is formed as a factor expanding tragedy. Lastly, harmony of sound serves as a factor that helps him endures a tragic reality. To him, music is a power to help him endure an absurd reality as well as a breakthrough to seek for salvation.