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김종삼 시에 나타난 ‘소리’의 양상과 특성 연구

A Study on the Aspect and Characteristics of ‘Sound’ in Kim Jong–Sam’s Poetry

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초록

The way to approach Kim Jong-Sam’s poetry to the side of ‘sound’ is essential to identify Kim Jong-Sam’s poetry world. To accomplish this, the task of organizing the basic data should be preceded. Thus, this article aims to categorize the aspect of ‘sound’ in Kim Jong-sam’s poetry. There are four aspects of ‘sound’ in Kim Jong-Sam’s poetry. First, he uses ‘sound’ directly in poetry. This is a background to determine the mood of the poem. Second, he uses various terms related to music. So I realized that his intellectual spectrum on music was beyond his preference. Third, he uses the onomatopoeia, the predicate, and the noun. This demonstrates that use of sound images is not a primary dimension. Fourth, he uses speech in poetry. In this case, we can see that there is a relationship between how he creates poetry and how he uses speech.

Abstract

The way to approach Kim Jong-Sam’s poetry to the side of ‘sound’ is essential to identify Kim Jong-Sam’s poetry world. To accomplish this, the task of organizing the basic data should be preceded. Thus, this article aims to categorize the aspect of ‘sound’ in Kim Jong-sam’s poetry. There are four aspects of ‘sound’ in Kim Jong-Sam’s poetry. First, he uses ‘sound’ directly in poetry. This is a background to determine the mood of the poem. Second, he uses various terms related to music. So I realized that his intellectual spectrum on music was beyond his preference. Third, he uses the onomatopoeia, the predicate, and the noun. This demonstrates that use of sound images is not a primary dimension. Fourth, he uses speech in poetry. In this case, we can see that there is a relationship between how he creates poetry and how he uses speech.

참고문헌 (10)

  1. 권명옥, "김종삼 전집" (2005), 나남
  2. 김종삼정집편찬위원회, "김종삼정집" (2018), 북치는소년
  3. 김성조, "김종삼 시의 소리 이미지와 의미적 표상", 한국문예창작, 9(3), pp.35~59 (2010), 한국문예창작학회
  4. 김정란, "김종삼 시 연구 : 소리 이미지와 환상성을 중심으로", 석사, 국어국문학, pp.2006
  5. 김정배, "김종삼 시의 소리지향성 연구", 열린정신 인문학 연구, 11(1), pp.107~127 (2010), 인문학연구소[DOI]
  6. 머레이 쉐이퍼, "사운드스케이프: 세계의 조율" (2008), 그물코
  7. 박시우, "특집Ⅱ_드뷔시처럼 시를 썼고 프랑크처럼 고독했고 말러처럼 탄식했다-음악으로 이해하는 김종삼", 작가들, (여름), pp.192~212 (2018)
  8. 신지원, "김종삼의 전쟁 시편에 나타난 개념적 혼성과 의미 연구", 건지인문학, (19), pp.101~123 (2017), 인문학연구소[DOI]
  9. 이민호, "특집Ⅱ_‘김종삼 전집’ 결정본은 없다-≪김종삼정집≫ 발간 의의", 작가들, (여름), pp.172~180 (2018)
  10. 이재학, "변형된 귓바퀴의 형태에서 달라지는 음상정위, 크기, 음색 특성에 대한 연구", 석사, pp.2015

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