현대시의 장소성 형성 전략 연구 - 몽골체험시에 나타난 시선을 중심으로

Abstract

This paper explores how place is formed in contemporary poetry. For this purpose, the aspect of the space experience is divided into the gaze of the space insider and the gaze of the outsider. It is based on the assumption that the meaning of the experience of the space is different in case of gaze that has continuously contacted with the space, and in case of otherwise, it is a methodology derived from the fact that the placeness is one aspect of experience about space. This paper focuses on how to experience the spatial text of Mongolia in order to explore the strategy of forming the placeness. First, the inner gaze of Mongolian poets toward Mongolia was basically a procedure and process to confirm their identity. The inner gaze revealed the mental response to the place without experiencing the experience of the place once experienced. It is the accumulation time accumulated from the past that can enhance the self-identity. The cultural unity of internal history and tradition to the Mongolian poet was a factor in establishing the placeness of Mongolian text. In other words, the inner gaze of the Mongolian text is shaped in such a way to evoke the experienced time before the experience of Mongolia. On the other hand, Korean poets as external gaze are experiencing Mongolia by inserting Korean experience texts in Mongolian texts. At this time, the poetic subject reproduces through the place where the inside of the self is typified, that is, through Mongolia. Therefore, the representation at this time reveals one aspect of the subject 's empirical characteristic of the place, and the reproduced place is not the same as the objective space. This is because the experience elements are chosen by the subject and the precursors that arrange it work. Korean poets show the 'meta' attribute of interpreting and evaluating objects rather than empathizing with them by projecting their Korean experience elements to Mongol, the target text. This study suggests that the problem of placeness should always be examined in relation to the subject 's experience style, and that experience is also closely related to the position of gaze on space. And emphasize that the gaze of the subject of experience can be one of the distinctive methodologies in exploring the placeness of the literary text.