임권택 판소리 영화 <천년학>의 매체변환에 따른서술양상과 미의식의 특이성

Abstract

The purpose of this paper is to analyze the specific aspects of narration and aesthetic consciousness according to media transformation of Im Kwon Taek 's last Pansori film, ‘Beyond the years’. This paper sees Im Kwon-taek's Pansori film ‘Beyond the years’ as a collaborative work with Lee Chung-joon following the on-site collaboration of creative minds. And this paper focuses on the narration aspect by media transformation based on the composition of the plot and the composition of style by looking at it as a sequential pansori film with ‘Sopyonje’. Furthermore, this paper illuminated the specificity of the aesthetics of film which is based on narration aspect by media conversion. First, the film ‘Beyond the years’ reflects the Pansori narrative structure and the frame-type structure and meta-structure of the narration characteristics of Lee Chung-joon's novel. In addition, the interactive dialogue structure and multi-focal features of Lee Chung- jun's novels are transformed into the composition of a segmented illustration-oriented sequence and flashback recall structure in film ‘Beyond the years’. And it creates the multi-focal point of the film through the presence of intermediary, confessional, explanatory character narrator. Meanwhile, this paper illuminated the stylistic composition by media conversion on the extension line of Im Kwon -Taek 's existing Pansori films. In other words, this paper looked at the aspect of the film that is reflected in the film character of Im Kwon-taek's unique parallelism, the description phase of the sound track by the plan-sequence, and the phase of visualizing the setting space(Seonhak-dong) of the movie with advanced digital image. Based on these narration aspects, I analyze the aesthetics of the sound traversing the entire ‘Namdo Sori’, which is produced by the film, and the aesthetics of the rhizomic diversity. The last Pansori film ‘Beyond the years’ of Im Kwon Taek traverses the musical elements such as a vocal sound-which is the most important musical element of Pansori, ‘Tori’ which is the general tone of the Namdo's sound, and 'Sigimsae' as a technique. This auditory scan-based crossing leads to a total aural aesthetic experience of the sounds of Namdo Island beyond Pansori. And this characteristic shows that the film ‘Beyond the years’ embodies the world of Pansori as an inclusive and laminated art. This aspect is a characteristic of the first aesthetics of the film ‘Beyond the years’. In addition, the film ‘Beyond the years’ autonomously translates and links the presentations or codes of various traditional cultures of the original novel ‘Seonhak-dong wanderer’. Based on this, The film ‘Beyond the years’ is creating the aesthetic sense of the rhizomic diversity.