임권택 영화 <춘향뎐>의 서술(Narration) 양상 연구

Abstract

This paper sets on sights on discussing the all-round aspect of narration in ImKwonTaek's film Chunhyandjeon. the film of Im KwonTaek's Chunhyandjeon buildsexperimental and challenging film narration. First, this work has an metalanguagecharacteristics in the whole narration layer through specular reduplication which consistof documentary narration layer and fictional narration being in analogy and duplication. such metalanguage characteristics penetrates the principle of flow-creation and theprinciple of emptiness-fill in ponsori performance. as a result, Chunhyandjeon'smetalanguage converge ideal discourse of ponsori performance. As well the filmChunhyandjeon see through the principle of repetition between tension and relaxation,principle of partial identity in pansori song s tory and the principle of fragmentary,mediating existence in pansori performance into through intertextuality with pansorichunhyanga. Meanwhile, the film Chunhyandjeon builds parametric narration which style leadsplot on the basis of the metalanguage in the whole narration layer and intertextualitywith pansori chunhyanga. the parametric narration of film Chunhyandjeon developsinto correspondence montage that combine aural sense with visual sense rhythmicallyand mis-en scene similar Korean conversation piece such as Kim hongdo's collection,Chung seon's collection and Shin yunbok's collection. In other words, the film Chunhyandjeon completes dialectic narration through whichcorrespondence montage generates image rhythm according with pansori's musicalrhythm. and the film Chunhyandjeon establishes poetic narration through which mis-en scene look like late of Chosun Dynasty conversation pieces from the point of viewstyle of painting and mood that correspondence with the symbolization of pansorimusic. Therefore It could be said that the Im KwonTaek's film Chunhyandjeon developsinto parametric narration aspect.