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김춘수의 시와 타자의 문제

Others in Kim, Chun-Soo's Poems

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참고문헌

키워드

주제분류한국어와문학

초록

This study is intended to examine the aspects and characters of ‘others' as manifested in poems by Kim, Chun-Soo. Though there is some distance between the subject of the work and ‘others' in the poem 「물또래」(Plecoptera), one of the poems to be analyzed in this study, there is also some emotional continuity and unity in it. However, in other poems, the otherness of the ‘others' appears, which brings about opposition and confrontation between the subject of the work and the ‘others'. The faceless ‘others' that his poems such as 「西風賦」(To the West Wind), 「눈물」1(Teardrops 1) and 「꽃을 위한 序詩」(Prelude to Flower) show are well worth noticing in relation to the quests of language and existence. Above all, 「꽃을 위한 序詩」 intimates struggle between the subject of the work and the ‘others'. This clearly embodies the limits that the subject of the work has in recognizing ‘others', which distinguishes this work from his other poems. In the poem 「눈물」2 (Teardrops 2) the ‘others' are transcendental beings that exist in a legendary way. Their otherness becomes absolute through the distance and interval between human beings and transcendental entity. The otherness is an abyss which lies between the subject of the work and transcendental entity, and is another aspect of the diversely varied and deepened otherness that the 'others' in his poems have.

Abstract

This study is intended to examine the aspects and characters of ‘others' as manifested in poems by Kim, Chun-Soo. Though there is some distance between the subject of the work and ‘others' in the poem 「물또래」(Plecoptera), one of the poems to be analyzed in this study, there is also some emotional continuity and unity in it. However, in other poems, the otherness of the ‘others' appears, which brings about opposition and confrontation between the subject of the work and the ‘others'. The faceless ‘others' that his poems such as 「西風賦」(To the West Wind), 「눈물」1(Teardrops 1) and 「꽃을 위한 序詩」(Prelude to Flower) show are well worth noticing in relation to the quests of language and existence. Above all, 「꽃을 위한 序詩」 intimates struggle between the subject of the work and the ‘others'. This clearly embodies the limits that the subject of the work has in recognizing ‘others', which distinguishes this work from his other poems. In the poem 「눈물」2 (Teardrops 2) the ‘others' are transcendental beings that exist in a legendary way. Their otherness becomes absolute through the distance and interval between human beings and transcendental entity. The otherness is an abyss which lies between the subject of the work and transcendental entity, and is another aspect of the diversely varied and deepened otherness that the 'others' in his poems have.

참고문헌 (11)

  1. 김춘수, "김춘수전집 󰊱 시" (1982), 문장
  2. 김춘수, "하느님의 아들 사람의 아들" (1985), 현대문학사
  3. 손병희, "존재와 슬픔-김춘수의 시 <눈물>과 비극적 의식, in 국어국문학논총", pp.213~234 (1987), 형설출판사
  4. 손병희, "정지용 시의 현상학적 연구", 문학과 언어, (14), pp.319~343 (1993), 문학과 언어연구회
  5. 손병희, "정지용의 시와 타자의 문제", 어문학, 78, pp.313~337 (2002), 한국어문학회
  6. 위르겐 링크, "기호와 문학" (1994), 민음사
  7. Anika Lemaire, "자크 라캉" (1994), 문예출판사
  8. Arthur C. Danto, "사르트르의 철학" (1985), 민음사
  9. Cassirer,E., "인간론" (1960), 민중서관
  10. Jean Paul Sartre, "존재와 무" (1943), 삼성출판사
  11. John Burbank, "The Word and Verbal Art: Selected Eassays by Jan Mukařovský" (1977), Yale Univ. Press

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