호남우도농악에 대한 연구동향과 연구과제 - 판굿 연구를 중심으로 -

Abstract

Honam Woodo Nongak is a Nongak in the area that established and developed Pangut as a modern way of domestic performance earlier than any other region in Korea. It was in the 1960s that people developed an interest in and distinction of Honam Jwado Nongak in the mountainous region of Jeolla Province and Honam Woodo Nongak in the Honam plains. Since then, a massive effort has been made in investigations and reports on the Honam Woodo Nongak region. This has gradually led to specific and comprehensive investigations and reports on Nongaks in individual regions. As part of the investigations on Nongaks in individual regions, they are found to have a lot in common in terms of structure and the unique rhythm of Woodo Nongak Pangut. They also feature unique characteristics depending on the region from which they originate. Although Nongaks in different regions have their own characteristics, Woodo Nongak features regional sharing for Pangut composition through activities triggered by modern level sponsors and regional exchanges among outstanding artists. This results in a relatively more systematic and unified structure compared to Panguts in other regions. The studies on this structure and development have led to a structural analysis of Pangut, producing considerable academic research accomplishments. The study on Woodo Nongak is considered quantitatively and qualitatively superior to that of Nongak in other regions. Undoubtedly, these investigations and analysis should extend to Nongaks in the near future. It is expected and anticipated to extend to the scope of research into Nongak, which has, so far, been centering on music and performance aspects, studies of material or socio-cultural dimensions and in-depth research into a possible correlation with the other folk art genres as well.