안서와 소월의 한시 번역과 창작시의 율격

Abstract

The versification rules of Tang Poetry influenced overwhelmingly over East Asian poets as the standard of poem since Tang age. In spite of strictness of these rules, Tang Poetry was accepted as the influential aesthetic form. Poets must have learn the Chinese character with a characteristic of ideograph and a tone of voice, and very complicated versification rules. This experience of accepting the prominent position of Tang poetry had wide-ranging effect on recognition of the poetry. In result, modern korean poet in 1910's who wrote a fixed form poetry got a potential reason of accepting the syllabic metric system. In this paper I compared the translated Tang poetry of Kim-Euk and Kim-Sowol to their lyric poetry. With the consequence that I found some remarkable idiosyncrasy in their versification method. In the case of Kim-Euk's poetry, he had positively accepted the formal characteristics of Tang poetry in his poetry writing and had increasingly lost the tension and personality of his lyric poetry. In Kim-Sowol's poety some case was found that he lost the tension of his poetic language while he strictly observe the syllabic rules in his traslated Tang poetry. And some differences was found in their later poetry. Kim-Euk had maintained a optimistic view of syllabic system, and finally published 먼동틀제 at dawn, an epic poem written on fixed form method. Kim-Sowol had shown the weakened inclination of fixed syllabic poem over his early day's poetry. It is not easy to find the clear relation between Tang poetry and modern poetry. But it is possible that the form of Tang poetry influenced as the formal boundary of poetry verification to korean modern poets. Especially those two poets who have important position in formative period of ballad poem in 1920's fixed syllabic system, had been influenced quitely.