김소월의 시집 『진달래꽃』에 드러난 ‘자기 내면’의 재현 양상

Abstract

Kim Sowol revealed his anthology 『Korean Rosebay』 as an aspect recreating the entire horizon of the inner self. He is supposed to appear nothingness given to youth In his early 20s, caused absence of 'Lover'. He want to research for the existence of 'Lover' detailed on the horizon of reality. He doesn't accurately determine the direction of the life in the early 20's sagging. His poetry reveals wandering life that is expressed ideality compared to material such as, 'traveler', 'road', 'spring', 'night', 'rain'. Kim Sowol goes to arrange a concrete foundation of subject establishment, as clearing the absurd dreams of youth. The poet reveals the sorrow in inner self, expressed with the sensory experience of reality. He discovers the "feel" experience area that forms the antagonist of the emotion of sorrow in inner self. The poet got up overcoming the reality of sorrow lost directivity of the whole community, and makes the landscape of reality that the things are projected onto the inner, to establish new-subject. Kim Sowol’s poetic horizon is expanded recreating the landscape of the daily lives as well as night landscape feeling alone. He discovers the original "sensory area" given in the inner self, out of the world where sorrow is derived. "The Dream" at the Kim Sowol’s poetry was the only instrument to meet 'Lover' lost at first, then goes to express "revealed soul," and appears set up the orientation of life at the last. The poet was to get away from the darkness of the inner, to dream of a new subject that lasts goes through the "Autumn, Spring". Kim Sowol went to secure authenticity to establish new subject by own efforts, in the inner self onto that the perception is projected.