김소월 시의 공간과 상실의식 연구

Abstract

The purpose of this study is to find out the main consciousness in poetry of Kim So-wol with the sense of loss, and stereotyping for the projected space as the lost consciousness of subject in a way of newly contemplate his world of work product. It is attributable to the fact that a space is a mirror to display the memory and present perception of human as well as the projected object with the self-identity. In his poetry, the garden space of land, homeland, and the like has the implication as the place of resting with the memory of peaceful time beyond the physical implication. However, most of the space have been imagined already with the situation of taken away or lost out, and it could be confirmed to project with the drive to return of subject to return back. Kim So-wol facilitates the space of ‘dream’ as a way of overcoming the sense of loss from losing a loving one. Dream seems to overcome the severance of the world and speaker, but it is engaged in the dual role to explicitly disclose the tragic reality of the subject due to the fact that it is not the concrete act to influence on the presence. He entices the actual incident or character into his work in a way of restructuring the historic space to display his willingness to remind the experiment common to his people and overcome the tragic reality. It is also a connection of the ring for the past and reminisce to expand the implication of the present text and build up the community awareness.