日韓言語文化的な視点の違いから見る日韓映画に反映された 会話構造の様相 : 隣接対と連鎖組織を中心に

Abstract

This study compared conversations appearing in similar scenes in Japanese and Korean films, and primarily considered what forms of adjacency pairs appear in the similar scenes, and　Japanese and Korean sequence organization. The films analyzed include a Japanese film Be with You (2004) and its Korean remake B e with You (2018), as well as Japanese films Little Forest Summer/Fall (2014) and Little Forest Winter/Spring (2015) and its Korean remake Little Forest ( 2018). The data collected from the scripts for the similar scenes in these films were transcribed, and then adjacency pairs and sequence organizations in the scenes were comparatively analyzed and differences between them were considered. The results of the analysis show the following similarities and differences. The adjacency pairs that most often appeared in the films were ‘questions/responses'. The sequence of a speaker and a hearer was smoothly developed in the Japanese films, while response was more frequently observed than questions in the Korean films. There were differences in preferred and non-preferred response forms between the films. Characters' response took the form of caring for the positions of friends in the Japanese films, while the Korean films took the form of contradicting friends' expectations, so a conflict with them occurs or they lose faces. The pre-sequence between the films was similar. It serves to help develop base adjacency pairs. The insertion sequence between the films had the same expressions and adjacency pairs were used to verify and connect the minds of mothers and sons. The post-sequence of the films raised questions, not to cease conversations. As a result, adjacency pairs were extended to the back.