오규원 후기시의 탈원근법적 주체와 시각의 형이상학

Abstract

The Kyuwon Oh’s later poems, so called a ‘raw image poetry’ are based on a new alternative visual regime as a challenge to the anthropocentric perspective regime. The post-anthropocentricism of Kyuwon Oh’s poems proceeds from a denial of signifying or naming subject and such a subject-centered language. So the raw image poetry cannot but make into question not only a notion sticked to a language but also a notion sticked to a view. In this question, the main issue is a perspective hypothesis which establish a basis of subjectivity and rationality in anthropocentricism. Thus the raw image suggested by Kyuwon Oh is not a phenomenon of things in the raw, but an alternative hypothesis, that is a language of post-perspective vision against the conventionalized hypothesis sticked to things,This paper examines in reference to the post-perspective vision, the methodology of the raw image poetry which aims to make a language in contact to phenomenon of things by an innovation of perception. Therefore this paper would demonstrate that the keys to methodology of the raw image poetry are the post-perspective vision by analyzing in detail three points of writing poetry, ⑴ to make an another visual notion by eliminating a perspective depth, ⑵ to rearrange a routine visibility by reversing the principles of forms and backgrounds, ⑶ to create a metaphysical vision by realizing a frame-internal subject. It brings us a new ability of vision to see the things which are assigned to the invisible. The new ability of vision provides a ‘metaphysics of vision’ which visualizes a metaphysical longing for infinities of the world. The metaphysics of vision is considered as a kind of artistic utopia to overcome a problematic modernity in the society of fetishism. The raw image poetics of Kyuwon Oh can be appreciated in terms of a denial of perspective regime which establish a basis of subjectivity and rationality and a creation of metaphysical vision as counterplans for the perspective regime.